How Akala, Satinama and EAKA Philosophy Explains Theory of Amplituhedron, Planck Length and Cymatics: Kala as Classical Time, Akala as Quantum Time Dimensions and Akasha Homotopy and Topology: Gurmukhi and Be Happy Philselfologically 178
In this part of the series, we discuss one of the important Quantum Math and Physics of Cymatics, which we can put as the definition and description of Cymatics in relation to human consciousness, which when deals with light, sound and matter seem to give various mastery levels in science, math, music and other fields. Thus, accordingly, the Cymatics due to its constitutional systems of Light and Sound, we can also interpret it as the Nara (Light) and Vana or Bana (Sound) according to the Indian Sacred Systems, and thus the Cymatics is what we know as the Nirvana or the Nirbana in the Indian or the Asian Sacred Systems. The term for the Matter, the Bhaga and the Sound Energy Systems are popular as the Bhaga-vana, the Bhagvana, the God Systems, but the Sacred Cymatics seem to well define the Nirvana, the State of God (Bhagwana) Systems in the Universe. Thus, the Bhaga-vana and the Nir-vana are the Quantum Matter and Sound with Light and Sound Systems. This is how the Science, Math, Music, and Geometry has been studied and researched through the Indian Sacred Systems with languages and math as in the Mythological and Cosmological, the Expected Quantum Transformation in the Indian Modern Civilizations. As it’s a very new chapter, some terms from the Indian Sacred Systems may seem as if new version to the quantum version of science and math.
The Vana, the Vani or the Bana, the Bani in the Bhagvana and the Nirvana Systems is called the Parbrahma, the Sh-bada, the Quantum Systems of the Universe, and it’s also popular as the Sh-bada, the Spectrum of Light and Sound as together expressed in the Indian Alpahebts as in the Rows, which is then considered as the Sh-bada, the Quantum Sound as the Quantum Gravity Systems, the Guru, the Parbrahma through which all world sacred systems express the Sacred Information, Knowledge and Wisdom.
Here, we need to mention that the Indian Sacred Systems describe association of consciousness with the 3-Dimensional World, which is Bhaga and Sound, the Vana (Vana, Vani, and Bana, Bani Systems), thus the Bhaga-vana (God Systems) and here as the Sound Energy goes as the 4th Dimension, the Light, the “Nara” gives the Sound association as the Narvana, the Nirvana as the 5th Dimension (Light) and 4th Dimension of Sound, and these together make the Universe having the 3-Dimensional Systems having association with the Sound, the 4th Dimension and the Light as the 5th Dimension, and both of these are the “Indian Sacred Theories of Dualism” that is to say the Matter and Sound Dualism and the Light and Sound Dualism. At the same time, the “A” deals with the “Non-Dualism” where the “A” as the A’, A, 2A Systems follows the Homotopy and Topology for the Quantum Systems, which we can consider as the Non-dualism Theory of Consciousness and the “A”, and for this reason, we also discuss the Akala Systems, which form the Pure Non-dualism Theory of the Indian Sacred Systems. We can thus consider the “A”, the Vibration Theory as the 6th Dimension after the Matter (3-D), Sound (4-D), and Light (5-D) in our Hypothesis of Philselfology.
If we consider the Sacred Cymatics, the K is the Center of Cymaic Diagrams while the K’ is the Expansion of the Central Dot (K) into Sacred Forms and Visualization. Thus, we visualize the Bindu (Center of Circle) and Bindi (Circumference of Circle) at the Center of human visualization.
So, if we consider the Indian Mantra Systems, it goes as the Set of Bindi with the K’, S, H, and A, and its well balanced in as the Sacred Poetry, the Bindu where the Bindu, the M is the Balance of the Vowels and Consonants and thus the A, E, O, AE as the Bindu Creators. This Sacred Bindi and Bindu makes the 3-D Prose of the SAHA Systems make the Cymatics alive as the Poetry (Music) of the NAMA Systems. We can sum it up it all as the Two Poles, the Bindi Pole and the Bindu Pole in the above equation:
“In the closing chapter of the book Cymatics, Jenny sums up these phenomena in a three-part unity. The fundamental and generative power is in the vibration which, with its periodicity, sustains phenomena with its two poles. At one pole we have form, the figurative pattern. At the other is motion, the dynamic process.
These three fields – vibration and periodicity as the ground field, and form and motion as the two poles – constitute an indivisible whole, Jenny says, even though one can dominate sometimes.” (With thanks from the source: http://www.world-mysteries.com/sci_cymatics.htm )
If we relate the Bindi (3-D Systems), the Form and Figurative with the Bindu (4-D Quantum Systems), the Dynamic and Quantum, we can also sum it up as follows:
“In his book Music and Sound in the Healing Arts,he draws a comparison between his own three-part structure, which in many respects resembles Jenny´s, and the conclusions researchers working with subatomic particles have reached.
“There is a similarity between cymatic pictures and quantum particles. In both cases that which appeares to be a solid form is also a wave. They are both created and simultaneously organized by the principle of pulse (Read:principle of vibration). This is the great mystery with sound: there is no solidity! A form that appears solid is actually created by a underlying vibration.”(4) In an attempt to explain the unity in this dualism between wave and form, physics developed the quantum field theory, in which the quantum field, or in our terminology, the vibration, is understood as the one true reality, and the particle or form, and the wave or motion, are only two polar manifestations of the one reality, vibration, says Beaulieu.” (With thanks from the source: http://www.world-mysteries.com/sci_cymatics.htm )
The Gurmukhi and Gurbani describes the Quantum Systems with the 45 Quantum Sounds and the Parbrahma as the Sh-bada, the Spectrum of Indian and Arabian Quantum Rows in the Alpahebts as the Sh-bada, the Guru Systems, the Master System of the Longitudinal, the Scalar Waves as the Essence of Music in Raga, the Way, the Gurbani has been composed and compiled with the 45 Quantum Sounds, which expands well into all other writings and poetic compositions in the Gurmukhi, the Punjabi Language Systems.
“Vibrational therapy has been called “the way of the future”. Most of us working within the field of vibrational healing believe that the “future” is here, now.
Everything from music, chants, rattles, bells, singing bowls gongs, and didgeridoos have been used historically as tools for healing. Now modern researchers like the priests and shamans of the past, have been seeking to find similar, perhaps more efficacious tools for health.
Cymatics frequencies are intended to reproduce the signature sounds of the particular organ, tissue, gland or function in the body and as such help re-establish its original form.
Perhaps the day will come when we can actually diagnose illnesses with sound.” (With thanks from the source: https://quantumchanges.wordpress.com/cymatics/ )
It makes the Gurmukhi Sacred Works of 45 Quantum Sounds in Gurbani, Dasam Granth and All Other Sacred Writings as in Sacred Gurmukhi Poetry the Grand Treasure for what we can experiment in the Cymatics and bring forth the Sacred Treasure of Asia into our modern world as thus through the Sacred Quantum Cymatics, which can help the future generations understand the Quantum Relation between Indian, Arabian, Israeli and Other Alpahebts and the Quantum Systems, which can also help in restoring and correcting the errors in the Sacred Languages, Linguistics and the Grammars :
“All the classical music that we exposed the water to resulted in well-formed crystals with distinct characteristics. In contrast, the water exposed to violent heavy-metal music resulted in fragmented and malformed crystals at best.” (With thanks from the source: http://www.world-mysteries.com/sci_cymatics.htm )
We have been discussing the use of the Euler, Pi, Phi, Paya, Swaya, Quanta, Fourier and many topics, which go well into the Sacred Cymatics, which can help explaining the Quantum Mysterious of Universe as we have done in context to the Nano, Dipole, Electromagnetic, Qubit and Other Ancient and Modern Versions of the Classical and Quantum Systems:
“A postulated theoretical model provides a launch point for interpreting the experimental results. Its major cornerstone is an eight-dimensional biconformal base space with two four-dimensional, Fourier transform related subspaces. One subspace corresponds to our everyday world, whereas the other subspace is a reciprocal or inverse “etheric” space – roughly analogous to k-space but with additional postulated properties including superluminal “velocities” (presumably in inverse units) and interchanged roles of electricity and magnetism.
In fact, the book is a mini physics course that presents various principles of electromagnetism, thermodynamics, solid-state physics, and quantum mechanics in a readable and understandable way. Also included is a brilliant discussion of enzymes, coenzymes and the electron transport chain as they relate to the experiments.” (With thanks from the source: http://www.world-mysteries.com/sci_cymatics.htm )
As we discuss in this part of the series about the Languages, Cymatics and Quantum, the following is worth reading:
“Boldly extended his tonoscope research into voice and language, Jenny discovered that when the vowels of ancient Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for these vowels, while modern languages didn’t generate the same result. This has led spiritual philosophers to ponder if “sacred languages” (including Tibetan and Egyptian) have the power to influence and transform physical reality, to create things through their inherent power, or through the recitation or singing of sacred texts, to heal a person who has gone “out of tune”?…” (With thanks from the source: http://sfgirl-thealiennextdoor.blogspot.in/2010/05… )
It seem to make Achim Kempf’s Theory of Sound, Shape and Universe well into the Cymatics! (Please this wonderful article: https://www.scimednet.org/content/a-new-science )
The AKAL Systems deal with the Quantization of the 4-Dimensional Systems, and in it, the 4th Dimension is the A, which we have expressed as the A’, 2A’, 3A’, 4A’ giving the Eternal Natural Laws and Principles of A’ as to create the Self-assembling and Self-arrangement dimensions of A, 2A, and the Higher Dimensions as the 4A, 8A, 16A, 32A, and due to these reasons the Sikh Gurus has proposed it as Akal Moorati and the Akal Purakhu in which the the Akal Moorati is the Homotopy of the Quantum Systems of A’, A, 2A while the Akal Purakhu is the Topology of Quantum Systems of the A’, A, 2A, which keep the Observer Levels of Akal Purakhu, which is one’s ability to observe very minute differences and thus its also called Godly Talent of “Power or Gift of Discerning”. The Godly Systems as the Quantum Systems seem to well work as the “Theory of Similarities and Similes” while the Classical Systems of the Matter seem to work well with the “Theory of Differences and Contrast”, and we happen to have both talents, merits and the qualities as in the Right Brain (Theory of Similarities) and the Left Brain (Theory of Differences), and when we use both we use what is popular as the “Natural Gift of Power of Discerning”.
“The Greek word for the gift of discernment is Diakrisis. The word describes being able to distinguish, discern, judge or appraise a person, statement, situation, or environment.” (With thanks from the source: http://www.spiritualgiftstest.com/spiritual-gift-o… )
Here, when the Akal, the Topological Quantum Systems is introduced to the Space Element and we have the Karta from the Akal Moorati, we have the Causation in Effect which makes human consciousness linked up with the Akala, the A, the Quantum Dimensions and deal in the world as through the Kala Dimensions of Space Dimensions, and thus the Kala and Karta Systems, which is also essence of Indian Sacred Systems. Thus, it’s the key systems of the Karta, Kala, and Akala that deals with the same thing and that is the A’, A, 2A Quantum Homotopy and Topology. It’s the Mythological and the Cosmological Mathematics that uses the Linguistics as its Invariant Math, and thus the Quantum Math of Indian Sacred Systems, and it should not confuse one with the Indian Religions and Faiths, which use it otherwise.
The Akala Systems keep the Sacred Quantum Systems as from the Kara, A-kara and the Aa-kara, and goes well into what we know as the Kala, A-kala and the Aa-kala Systems of the Quantization of the Parbrahama, the Sh-bada, the Quantum Spectrum (Rows) Quantization of the Space, Vacuum, and Universe. The Philosophy of the Parbrahma, the Sh-bada, the Spectrum of the Universe is also the Quantum Gravity Systems, which relatively change, and thus the Macro Theory of Relativity, which the Rows of the Indian Alphabets express while the Quantum Gravity is well expressed as the Columns of the Indian Alpahebts. For this reason, the Sh-bada as the Parbrahma is also treated the Sh-bada Guru in the Indian Sacred Systems.
The Sikh Gurus claim that the A’, A, 2A, the Maatra or Quantum Systems of the Quantum Universe are the Sources of Interfaith, One God, Formless God, Quantum God, Time Dimension, Spacetime, and praise it as the Akal, Akala, the Akal Purakh in Shri Guru Granth Sahib and the Dasam Granth and thus the Quantum God, who is Light, and this Light is Living and Speaks and Discusses. According to them as well as most of the World Spiritual Masters, all religions study the Single Quantum Light with the doctrines that give it various names of religions and faiths with certain Quantum Assumptions, Hypothesis’s, and Declarations, which gives the unique name as the religion, faith or the path, but all are the research faculties, which is not dress code and conduct, but rather the quantum research on what remains ever present in the space, vacuum and universe.
It includes how the Sikh Gurus and Other Indian and World Spiritual Masters have described it as the Word of God, the Sound, the Maatra (the Maatra, the Vowels and is the Quantization Systems of the Quanta, the Brahma as the Light as thus also the Brahman), as thus the Parbrahma:
“The Para-brahman, as Shabda-brahman exists in the body of the jivatma<1> and is composed of all mantra.” (With thanks from the source: http://www.hindupedia.com/en/Dharma )
“The earliest import of the word Dharma, arises from the ancient Vedic idea of Ritam (or Cosmic Order)<11>. The entire universe is sustained by a cosmic order, which are physical laws that govern the motion of stars, suns, planets, satellites, asteroids and other physical bodies.
Dharma as Self-Expression
Each human being is endowed with specific qualities and gifts. Some are born with a a talent for music or sports, while others have developed a talent for management. Some have a deep well developed intellectual disposition while others are blessed with great energy and entrepreneurship for social activity. Ultimately a human being uplifts himself, sustains and upholds his spirit, when he or she truly fully develops and expresses his or her unique gifts in the service of humanity.” (With thanks from the source: http://www.hindupedia.com/en/Dharma )
Here, just to remind that when we consider the 35 Primal Quantum Sounds of the Universe with its Higher Dimensions of the “Sh and Z” Sounds making it the 45 and even upto 50 or 52 Quantum Sounds, we have it all as the Essence of the International Phonetic Alpahebts, and it does not matter which language we speak or the script we use anywhere in the world, and it, the Sacred Systems of the Quantum Sounds as the Phonetics is also called the “True Education, the Siksha”, which also invited attention to what Achim Kempf has discovered as the Sound, Shape and Universe:
“First, those who are learned and who have true knowledge define sound as that which conveys the idea of an object. Sound is not just the vibration created by the meeting of two objects. Sound is that which conveys the idea of an object. The exact word used in this connection is “artha-ashraya” or “the shelter of the meaning”. In the Vedic conception the aksharas (letters) are bijas, or seeds of existence. The audible sound is categorized into 50 alphabets of Sanskrit starting from “a” and ending with “ksha”. Hence the alphabet is called “akshara”, which literally means “infallible” or “supreme”. Akshara is also a synonym for pranava (Om), the sum of all syllables and source of all vedic hymns.
The Essence of Indian and World Sacred Systems is the Phonetic Systems of the 35 Quantum Sounds, the Alphabets of the Sanskrit, Hindi and Gurmukhi, which is well expressed as the International Phonetic Alphabet Systems.
It’s all called the “Siksha” (Education), “S is 4th Dimension as the Vowels and K is the Space while the “Sh” is the Spectrum of Light created by the 4 Dimensional Light, the S” and thus the Sacred Knowledge and Wisdom of Rows and Columns of the Indian Alpahebts, the Phonetics, which can educate individuals everything about the universe, consciousness and elements of the space, vacuum and the universe.
“Human Sound Creation
According to traditional phonetics (siksaa), the self (atma) formulates intentions by means of intelligence (buddhi) and inspires the mind (mana) to speak. The mind impulses the body fire (kayagni) it in turn sets in motion breath (maruta) that moving in the chest, generates a humming sound (mandra) that again rising to the palate and crown of the head, and rebounding thence, passes to the mouth and produces articulate sounds like vowels and consonants.” (With thanks from the source: http://veda.krishna.com/encyclopedia/vedicsound.ht… )
One of good start in our modern world is to start the International Phonetic Alpahebts in our daily life:
“The Use of the International Phonetic Alphabet in the Choral Rehearsal is the ideal primer for choral directors and choirmasters as well as choir members.” (With thanks from the source: http://www.amazon.in/International-Phonetic-Alphab… )
Human Sound Creation: According to traditional phonetics (siksaa), the self (atma) formulates intentions by means of intelligence (buddhi) and inspires the mind (mana) to speak. The mind impulses the body fire (kayagni) it in turn sets in motion breath (maruta) that moving in the chest, generates a humming sound (mandra) that again rising to the palate and crown of the head, and rebounding thence, passes to the mouth and produces articulate sounds like vowels and consonants.” (With thanks from the source: http://www.veda.harekrsna.cz/encyclopedia/vedicsou… )
Quantum Mythological and Cosmological Math with Planck Systems as Akal Systems of Length and Time: We can assume that thus explained Akala, the “A’, A, 2A Time Dimensions” seem to exhibit as the Modern Quantum Mythological and Cosmological Math with Planck Length as its smallest unit, and thus we can assume that “A’, A, 2A Time Dimensions”, which we have called the Akal(a), the Akala Dimensions are simply the Planck Length, Time and Velocity Systems of the Universe as well as the Planck’s Scientific and Mathematical Units, and for conventional use, we can put A’=Planck’s Length as it says:
“The Planck length is 1.6 x 10-35 metres.
Divide the minuscule Planck length by the speed of light (which is pretty big) and you get a really tiny unit of time, the Planck time, tP, which is:
tP = (hG/2πc5)1/2 .
The Planck time is 5.4 x 10-44 seconds.
There is also a Planck mass, which is (ch/2πG)1/2 = 22 μg. This doesn’t sound very much, until you think of a fundamental particle with that mass. Or until you convert it into energy by multiplying by c2 to get 2.0 109 joules or 1.2 x 1028 eV. Yes, 2 billion joules all concentrated in one atomic particle.” (With thanks from the source: http://newt.phys.unsw.edu.au/einsteinlight/jw/modu… )
The Indian Sacred Systems use the Ach, the Vowel Theory with the Light, the S, and thus as the Sach, the Light in 4 Dimensions, the A, E, O, AE, which is well elaborated by the Shri Guru Nanak Dev Ji and also as the SAT, the SATA, the Light (S) in the 3-Dimensions, while the S-ach deals with the Quantization of Light as otherwise, we also happen have the revolutionary kind of theories, which explain the Matter Quantization, which is popular as the K-ach, the Kachi where the K is the Matter, the Material World in the Consonants and the Ach is the Vowel Theory, which well established theory of Sach as the A, E, O, AE, the 4 Pada, the Quantum Dipole or the 4 Primal Dimensions of the Universe. So, the easy way to understand the Sach and Kach is simple when we understand the Indian Alphabets and the Theory of Everything these Sacred Alpahebts express. The Theory of Consonants in the Indian Sacred Systems is also considered as the “Hala”, which makes the life tough as it dissipates the energy of the nature, the zero point and vacuum energy systems of the ach, the vowels.
When we have considered in the previous parts of series that A’=c*t where A’ is the Smallest Unit of Length, c=Velocity of Light and t=time, we can notice that the Planck Length (A’) gives us t, the time in its relation to the “proton” as well when we consider the following:
A’=ct
t=A’/c (≈ 0.4 times the proton radius divided by the velocity of light)
“…the revised set of Planck scale values derived from the discrete fractal paradigm are self-consistent and are firmly linked to the scale of nature’s most fundamental baryon: the proton. The value of the revised Planck mass is ≈ 0.72 times the mass of the proton, the revised Planck length is ≈ 0.4 times radius of the proton, and the revised Planck time is ≈ 0.4 times the proton radius divided by the velocity of light.” (With thanks from the sources: http://www3.amherst.edu/~rloldershaw/newdevyear/20… and http://www.physlink.com/Education/AskExperts/ae635… )
We can also notice the Role of Golden Mean and Planck’s Length in the Quantum Cosmology in aid to Mythological Systems of the World as what we call the Akal Dimensions of Time, Length and Velocity Dimensions, we have an interesting input here:
“Behind the definition of the second is the velocity of light, which is the constant on which size all other physical constants depend upon and hence represents the inherent speed limit that any particle information pattern is able to achieve. In this system of present-day constants the Planck length has the value 1.6160 x 10-35 m (standard uncertainty 0.0012 x 10-35 m). If we fix instead the Planck length at the value of the golden mean at 1.6180 x 10-35 m and recalculate consequently all other physical variables, a major step in our understanding of the universe may be done, opening the possibility of unifying the theories by Ashtekar, El Naschie (see the latest review of his infinity theory in: Chaos, Solitons and Fractals 19 (2004) 209-236) and others. We should not quantize and not merely discretize, but discretize transfinitely, this is the message.” (Please read more from the source with our thanks: http://forum.wolframscience.com/archive/topic/168-… )
So, if we consider the A’ as the Planck Length, Time, Velocity, Photon, Quantum, Cosmological, etc. Systems, we may have great many researches going on the Kala, the Time Dimension and the Akala, the Planck (Quantum) Time Dimension, and thus the Hypothesis and Research Work of Philselfology. We can fully integrate it with the International Phonetic Alphabet Systems that may help us use the Vowels as the Units of Planck Systems and or otherwise playing a great role in scientific measurements and dimensions, and also so for the Quantum Math, Science, Computing and the Sacred Systems.
In very simple way, the A’, A, 2A Quantum Systems keep the Homotopy Quantum Field Theory present in each quantum stream of A’, A, 2A and its lower and the higher dimensions, while the Topological Quantum Field Theory deals with how these “Transit from A’ to A and the 2A” or simply the Quantization of the A’, 2A’, 3A’, 4A’, etc. is the Topological Quantum Field Theory Systems. For simplicity, we can put that Homotopy and Topology happen to have the Homo-Topology and Topology as the Karta, the within the “Range and Domain of Cause and Causation” and Akal, the “Beyond Human Cause and Causation”, and thus the Secret of 4-D Printing and the 8-D Printing, and that is the Atomic and Supermolecular Systems of the Universe. To justify it all, we have to think what we can modify and what we use as tool to modify, and that is where we have the First 4 Dimensions of the Universe, which never change, and the Second 4 Dimensions as the ones, which we can change!
Now, what bridges the Homotopy and Topology is the Cobordism, and in this context, we have studied the NAMA Theory as the Cobordism Mathematics according to the Indian Homotopy Type Theory, Indian Invariant Math, Indian Linguistic Math, Indian Sacred Math and thus the Indian Sacred Systems. It may surprise us a lot that these 3 systems of Homotopy, Topology and Cobordism are synonymous similar to Poetry, Prose and Music in the Indian and World Sacred and the Quantum Systems, and all go well with the Vowel Theory of A’, 2A’, 3A’, 4A’ and the O, A, E, AE as the Basic Quantum Parameters and Operators, and thus the Indian and World Languages as through the International Phonetic Alphabetical Systems give us great Scope of and for Studies, Research and Development in the Quantum Systems (A’, 2A’, 3A’, 4A’ and the O, A, E, AE) and Quantum Math and Computing with the Homotopy, Topology and Cobordism. All of it can also be summarized as the h-Cobordism.
“In geometric topology and differential topology, an (n+1)-dimensional cobordism W between n-dimensional manifolds M and N is an h-cobordism (the h stands for homotopy equivalence) if the inclusion maps
are homotopy equivalences.
The h-cobordism theorem gives sufficient conditions for an h-cobordism to be trivial, i.e., to be C-isomorphic to the cylinder M × <0, 1>. Here C refers to any of the categories of smooth, piecewise linear, or topological manifolds.” (With thanks from the source: https://en.wikipedia.org/wiki/H-cobordism )
One of the concern in the study, education and research of the A’, 2A’, 3A’, 4A’; A, E, O, AE, and thus the Indian Theory of Elements, the Tat Darshana, the Philosophy of Elements that also deals with the Theory of Manifolds, Dimensions, Light, Consciousness, 5 Basic Elements and the similar is the Base, Basics and the Essence of what the Indian Languages, Linguistics, Grammars, Prose, Poetry, Music, and the Sacred Systems describe is now an extincted thing, and that is why there seems the presence of serious rigidity, fundamentalism, religious stagnation, riots, language and regional problems, and with endless problems arsing from the Modern Indian Education Systems. The reason is very simple as most us may not know what the “Indian Vowels Consonants, Letters and Words” say and express, and thus the Indian Sanskrit, Hindi, Gurmukhi and Other Civilizations may not be contributing to what we now rediscover as the “Quantum Systems”, and what a regret it seems to be and “it is”.
This is thus the lost art of Indian Quantum Sounds and Letters, which has been far more in-depth, insightful and well researched thing of the Indian Sacred Civilizations that surpasses the Etymology, Linguistics, Syntax’s, and the Role of Sounds in the Human Civilizations. It thus goes far beyond than the Indian Religions, Faiths, Languages, and other studies as its based on the Philosophy, Vision and Visualization in which even “writing” is “violence”, the reason for existence and extinction of “Verbal and Philosophical Civilizations”.
In any case, the “A’, A, 2A”, which also compiles the Indian Vibration Theory of Everything embraces all the letters of Indian Alpahebts as arranged in the 5 Columns and 7 Rows in most of the International Phonetic Alphabets and thus the Sanskrit, Hindi, Gurmukhi and the Other Indian Languages and the Alpahebts. If we put the Indian Alpahebts in the Musical Strings, we have it all as follows:
N-(A’, A, 2A)*Alphabets-M=N-(2A)*Alpahebts-M=N-2A-M=NAAM
And thus the NAAM (NAMA) Theory of the Indian Sacred Systems, which is also the Superstring Theory giving the 25+11 Dimensions=36 Dimensions of the Universe.
In case, when we think of the NAMA Theory in context to the Linguistics of Prose and the Consonant Theories as described in the Indian Linguistics, we have the following:
N-(A’+A+2A)*Alphabets-M=N-(SA+HA)*Alphabets-M=N-SAHA-M= N-SAT-M=SATINAMA
The above is the basics of the SAHA when going to A’, A and 2A, naturally forms the 3 Worlds of Nuclear, Atomic and the Molecular Worlds and thus the SAHA goes to SATA (TA is for the 3 Levels of the A’, A, 2A), and if we put this format, we can arrive at the SAHA+NAMA=SATA+NAMA=SATINAMA
In this case, we also notice that the A’, A, 2A, which correlate as 2A=4A=8A’, and that if we assume the A’ to be Gluon, and think of the Amplituhedron, in which we have the following conditions well met:
“This started with theoretical work preparing for the completion of the Superconducting Super Collider (SSC) that was to be built in Texas (but eventually canceled). Physicists wanted to create a background framework describing scattering amplitudes with which to test the SSC and look for exotic or interesting signals. Physicists quickly determined that creating such a framework for even simple 2-gluon to 4-gluon interactions was so complicated that “they may not be evaluated in the foreseeable future.” Then, in the 1980s, this gluon interaction was simplified from an equation containing several billion terms to a single formula 9-pages long. This was an expression computers of the time could handle, and quantum field theory got a little more manageable. This type of simplifying laid the groundwork for the amplituhedron.” (With thanks from the source: http://www.fromquarkstoquasars.com/new-discovery-s… )
Thus, we can sum up the Theory of Amplituhedron as follows, where A’+A+2A is addition of Gluon Sides to the Amplituhedron:
N-(A’+A+2A)*Alphabets-M=N-(SA+HA)*Alphabets-M=N-SAHA-M= N-SAT-M=SATINAMA
Just to say when Subatomic Particles as the A’ and A’ Collide to give us the A and then “A and A” Collide to give 2A, we have:
“Physicists have long struggled to understand exactly what happens after subatomic particles collide. For decades, the best tool involved basic sketches (called Feynman diagrams) of each possible result. For all but the simplest scenarios, this method fills pages with drawings and equations.” (With thanks from the source: http://discovermagazine.com/2014/jan-feb/10-shapin… )
When we say that the A’, A and 2A is present in the Cosmic Format of 7 Rows of the Indian Alphabets as in Gurmukhi, we have it in a special way that we have described by assigning A’/4, A’/2, A’, 2A’, 3A’, 4A’, etc. to describe Nature’s Amplituhedron with Light, Sound and 5 Basic Element Dimensions of Sub-atomic, Atomic, Molecular nature, we notice it’s all arranged as the Quantum Geometry Systems of xy=qyx and the Higher Dimensions, which we have put as follows:
N-(A’+A+2A)*Alphabets-M=N-(SA+HA)*Alphabets-M=N-SAHA-M= N-SAT-M=SATINAMA
Where the (A’+2+2A) can also be put in the planar format as (A’*A*2A), and in each row of the Indian Alphabets, we can notice it with A’, A, 2A Formats, which if we put outside, we can create great many things like this:
A'(A*2A), 2A'(A*A), etc. but it may seem difficult so as according to our Hypothesis of Philselfology, we can always put the Sides of the Amplituhedron as the O, A, E, AE, which simply means A’, 2A’, 3A’, 4A’, and that as these self-assemble at the 2A’ and 4A’ as the A and 2A, we can also write it all as the A’, A, 3A’, 2A, and other ways to describe the Theory of Quantum Geometry with Amplituhedron in multiple formats.
Here, we can notice that the SAHA deals with the A’ and 3A’, the Odd Vibrations in the A’, 2A’, 3A’, 4A’, and the Higher Dimensions, while if we create the “Musical Environment” around the Odd Number of Vibrations as the A’ and 3A’, we get the following:
N+A’+3A’+M=(A’+3A’)+2A’+4A’
If we again add or keep adding, we get the “Musical Sequence”:
N+A’+3A’+M=(A’+3A’)+2A’+4A’+(A’+3A’)+2A’+4A’+towards infinity
However, we take up the one set:
N+A’+3A’+M=(A’+3A’)+2A’+4A’=(A’+3A’)+(A+2A)=SAHA+NAMA (where A=2A’ and 2A=4A’)
Here, we have 3A’-A’=2A’ and 3A’+A’=4A’, which results from our creating the musical environment around the Odd A’s, the A’ and 3A’, and thus the Node and the Anti-node Systems while also creating the String Systems around the Odd Number of Vibrations, the A’ and 3A’, and here if we change the levels of “Artificial Musical Environment or the Musical Stimulation’s and Simulations”, we can get any number of vibrations for the A’ and 3A’, and it can be integer vibrations or small and or the larger numbers of vibration nodes and anti-nodes on the same string of A’ and 3A’, the SAHA, and thus using the NAMA, and what we get is the SAHA+NAMA Systems as described in the equation:
N-(A’+A+2A)*Alphabets-M=N-(SA+HA)*Alphabets-M=N-SAHA-M= N-SAT-M=SATINAMA=A’+3A’+2A’+4A’=Free String Energy+Nodes+Antinodes
It’s thus the Musical Quantum Amplituhedron as described with the name of Satinama according to the Hypothesis of Philselfology. So, the SAHA+NAMA can be simply put as the A’ and A, which together give 2A as we have assumed and hypothesized that A’=c*t=SA*HA=SAHA, and N-SAHA-M is the A, which is also almost same as to say that A’ is Light Wave (Gluon) and A is Particle Wave, and the 2A carries both A’ and A as the A’-A’ and A, which is also the end product of the 2-2 Gluon Interaction, Colliding and Scattering in the Amplituhedron Gluon Systems in the Quantum Math, Geometry and Physics.
In the World Languages, Linguistics and the Grammars, we notice the same in the Concept, Theory and Philosophy of Aspirated Sounds with as K’ (Aspirated Sound) giving the following:
K’+S+H+A=K
Here A in the K’+S+H+A is the creation of vibration that deals with SAHA, the A’ and 3A’ to give us the A, the Nama as we have N-SAHA-M=A or A is simply N-A-M, and that is the String produces the sound of A, and thus we can put the Philosophy of Aspirated Sounds as follows:
K’+S+H+A=K’+S+H+N-(S+H)-M=K’+S+H+A=K’+SATA+NAMA=K
K’+SAHA=K’+A’=Transverse Part of Sound
K’+N-SAHA-M=K’+N-A’-M=K+A=Longitudinal Part of Wave
K’+A’+A=K (Amplituhedron of Aspirated Sounds as according to the Hypothesis of Philselfology)
Now, what we need to observe in the Linguistic Equation of Everything as the “K’+A’+A=K” is it needs to be expressed as follows and it’s the proper quantum expression of the aspirated sounds:
K’+(A’-A’)+(A’+A’)=K’+Antinode+Node=K
And it looks like as shown below:
The Quantum Mechanism goes far beyond than just thinking of K’+(A’-A’)+(A’+A’)=K’+Antinode+Node=K because if we look at it all, we can notice the following “Quantum Mechanism” going on in the 4-Dimensional Quantum Plane:
K’+(3A’-A’)+(3A’+A’)=K’+2A’+4A’=K’A+2A=K’+Quantum Antinode+Quantum Node=K’+A+2A
The A and 2A create what we deal as the Quantum Vortex Theory of Matter
Thus, the Quantum Linguistic Model and Theory of the Aspirated Sounds gives us the Chladani Figures of Sound Nodes and the Modes (https://en.wikipedia.org/wiki/Ernst_Chladni), which we can assume to exhibit the functionality of the said equation:
We need to consider the 4-Dimensional Quantum Systems of the A’, A, 2A as follows:
K’+(3A’-A’)+(3A’+A’)=K’+2A’+4A’=K’A+2A=K’+Quantum Antinode+Quantum Node=K’+A+2A
In it, we can notice the following:
K’+(3A’-A’)+(3A’+A’)=K’+2A’+4A’=K’+(4A’-2A’)+(4A’+2A’)= K’+2A’+6A’=K’+A+3A
With A and 3A, we have the K’ having its Secondary Wavefront while the Primary Wavefront is the K’+A+2A, and more preciously, we can notice that K’ can have the following:
1. K’+(3A’-A’)+(3A’+A’)=K’+2A’+4A’=K’+A+2A
2. K’+(4A’-2A’)+(4A’+2A’)=K’+2A’+6A’=K’+A+3A (Due to symmetry, 4A’=2A, 2A’=A), and it not be the part of major equations)
3. K’+(6A’-2A’)+(6A’+2A’)=K’+4A’+8A’=K’+2A+4A
At the same time, we can also have:
4. K’+(2A’-A’)+(2A’+A’)=K’+A’+3A’
5. K’+(3A’-A’)+(3A’+A’)=K’+2A’+4A’=K’+A+2A (Same as the Equation 1)
We can also have the combination as follows:
6. K’+(4A’-A’)+(4A’+A’)=K’+3A’+5A’
We can notice that A’ results in A+2A, 2A+4A, etc., and thus almost as the Chlandni’s Law:
Moreover, the Chladni Nodes and Anti-nodes (as from the Equations 1 to 6) give us what we can see in the image below:
We can also notice that what the Equations 1 to 6 and its Higher Dimensions represent is something that gives insight into how sound travels in air:
“Sound in air does not travel as longitudinal waves as is commonly described in physics text books. Sound propagates spherically in air due to diffraction, the reactive result of atomic collisions. Reciprocal effects in air occur in the jostling of molecules initiated by a sound event, causing components of the sonic energy to move in all directions almost simultaneously. The distribution of energy within the sonic bubble is always concentrated on axis with the direction of primary propagation from the sound source.” (With thanks from the source: https://www.cymascope.com/cyma_research/physics.ht… )
In the Equations 1 to 6, we get the Basis and the Basics of what is popular as the Cymatics – The Science of the Future, and all may add up in the ODD and EVEN Nodes and Anti-nodes to give us what we see below:
The more advanced levels of the Equations 1 to 6 give us what we see below:
When we do not use the K’ in the Equation 1 to 6, and thus simply use the A’-A’ and A’+A’, we get the various levels, formats, versions, and designs of A, and the A is the Schwa Vowel in all world languages and is shown below:
“Chladni demonstrated once and for all that sound actually does affect physical matter and that it has the quality of creating geometric patterns.
When Jenny experimented with fluids of various kinds he produced wave motions, spirals, and wave-like patterns in continuous circulation. In his research with plant spores, he found an enormous variety and complexity, but even so, there was a unity in the shapes and dynamic developments that arose. With the help of iron filings, mercury, viscous liquids, plastic-like substances and gases, he investigated the three-dimensional aspects of the effect of vibration.
In his research with the tonoscope, Jenny noticed that when the vowels of the ancient languages of Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for these vowels, while our modern languages, on the other hand, did not generate the same result! How is this possible? Did the ancient Hebrews and Indians know this? Is there something to the concept of “sacred language,” which both of these are sometimes called? What qualities do these “sacred languages,” among which Tibetan, Egyptian and Chinese are often numbered, possess? Do they have the power to influence and transform physical reality, to create things through their inherent power, or, to take a concrete example, through the recitation or singing of sacred texts, to heal a person who has gone “out of tune”?
According to Jenny, this was an example of an antigravitational effect created by vibrations.” (With thanks from the source: http://www.world-mysteries.com/sci_cymatics.htm and with relevancy: http://dylan-jayatilaka.net/articles/atomic-orbita… )
When we thus consider the K’ and the A’, A’-A’, A, 2A, and put it as the K’-A’-A-2A as in the Equations from 1 to 6 and in the Higher Dimensions, we can notice that the K’ here represents the Akhara, the 3-Dimensional Information Universe, which is well presented in the 3-Dimensional Prose and Poetry in every world language, but when we consider the A’, A, 2A, it has been studied differently with the help of music and raga, and it’s thus not considered as the Ahkara, the Letters (K’ Category), but the A-Nada, the Sound of A, the Schwa Systems, and it’s name thus has been put as the A-nada, the Ananda, the Bliss, which is the 4th Dimension and seem to have nothing to do with the 3-Dimensions, the Akhara, the Letters; the Fiction, Poetry, and or the Non-fiction. The language of the A-nada, the Ananda, the Bliss is what all animals and birds speak as the “A” from the Abdomen, “E” from the Heart Center, and “O” from the Mouth, and thus is the Language of the Universe as we have discussed in the previous parts of the series, and it constitutes the Quantum Math, Geometry, Qubit, and all that Quantum Mechanism covers. In its simplicity, we can notice the “A’, A, 2A” follows the SAHA and NAMA to give us the A, E, O, AE, the Vowels Systems of the AA, EE, OO as the A, I, E, O, U, which is essence of the International Phonetic Alpahebts.
Here, we can also consider that the K’ with the SAHA deals with the Matter Universe and the A’, A, 2A with NAMA deals with the Consciousness, and thus the SAHA and NAMA together is the Matter and Consciousness Universe as according to the Indian Sacred Systems. When we have the NAMA going as the A’, A, 2A, the SAHA goes as the K’, K, KA, and it makes the Indian Philosophy of Matter and Consciousness Vibrate in the Universe. In the A’, A, 2A, the K’ (Matter, the Classical System) is not present, but in the K’, K, KA, the A’, A, 2A as the Consciousness (Quantum System) is always present. The K’, the Matter and A’ as the Consciousness gives what we know as the Space Element in the Indian Alpahebts, which is considered as the First Form of Matter, the Space that differs from our common perception of matter as the “solid”.
So, when we consider the Matter as Space Element, we have it as the K’+A’ Systems and that also creates the Ethereal Systems of A’, A, 2A and K’+A’, and we know it as the AA-KA with ending into the SA of SAHA, and thus the AAKASA, the Akasha or the Aakasha, and when we study the Akasha, the Space Element, we need to consider the K’, K, KA as the Space Element rather than jumping to the full term of Akasha, which is broad spectrum and description of the Space Element, the K’, the Essence of Space. So, the simple question can be what the Akasha is when we have the K’ as the Space Element.
As we have discussed that A’=c*t or A’=v*t at very low speeds, and F=ma keeps the F/t=ma/t that we can also derive from A’=c*t with mA’=m*c*t=p*t (p is momentum) and that E=m*c*c=m*c*(A’/t) with single concept that the A’=c*t, which is otherwise as the c=A’/t.
E=m*c*c(t/t)=m*c*(c*t)
E*t=m*c*(c*t)=m*c*A’
We express it as the Uncertainty Principle of Energy as the Change in E* Change in T, which is popular as the Heisenberg Uncertainty Principle with mA’=m*c*t=p*t for all A’=c*t with t=A’/c, which is “Change in Position with Time” that gives us the mA’=m*c*t=p*t=p*(A’/c)=p*(A’, 2A’, 3A’, 4A’)/t where A’=c*t and A’/t=c=Constant Systems that also influences the Mass and Velocity of Light as Constant and thus the A’=Planck’s Length and Part of Planck’s Constants, which we focus in this series, and thus, we have as with change in position with change in velocity and thus the A’/c giving us the A’, c, t as the Planck’s Philosophy of Constants:
Kennard<2> in 1927 first proved the modern inequality:
(With thanks from the source: https://en.wikipedia.org/wiki/Uncertainty_principl… )
Thus, the K’, K, KA and the A’, A, 2A goes as the Nucleus (K’), Atom (K), Molecule (KA), and the Light (A’), Wave (A) and the Particle Wave (2A) Systems. In the Living Systems, we have it also as the Muscles (K) and the Nerves (A) based on how the K’ and the A’ combine, that is, how matter and consciousnesses combines and creates the permutation and the combination. It thus acquires the names of Aahat, Anahat, Nada, Anahada, Neel (Nil) and Aneel (Anil), and having the most primitive form of universe as the (ct, A’, A’, A’) that we have put as the (A’, 2A’, 3A’, 4A’) where A’=c*t=Planck Length that is the A+T, the Aadi, the Anu, the Sakanda, the Akal(a) or the Akala (Duration of A’, the Planck Length and Time Systems), which is the opposite pair of Kala, the Philosophy of Light, Sound, Matter and Energy as the Aadi, which we also know as the Aadi Shakti, the Primal Energy having the popular equation of the E (4A’)=m*c*c=m*c*v=O*E*A=A’*3A’*2A’=A'(1*3*2*A’*A’)=A'(3 !A’*A’)=Essence of Quantum Geometry and the 4-D Quantum Space.
Here, we can also notice that K’ as the Aahat, the Noise, A’ Systems as the Un-struck Sound, the Anahat and the, K’+A=K gives us what we know the Nada, the general sound systems in the Indian Sacred Systems. The minute analysis of Anahata and the Anahada also lies in the A’ and the A. The A’ and A also carries the light and sound infinity, and that A’ goes to Light and the A’ goes to Sound, which is the Quantum Sound, the Unstruck with its opposite pair with matter K’ giving matter waves as noise as with K’ and A’, we can have only photoelectric effect giving rise to ejection of electrons and photons from the matter K’ while the K’ and A gives the Nada, the Sound of K’+A=A, and that A’ and A’ go together as A’-A’ giving sound of A, which is Anahata, the Unstruck as well as the Anahada (Infinite or limitless), and follows the 3-Dimensional Quantization of A’ and A Systems, which is known as the Anila, and with 3+1D, it’s also the Aadi, the Primal Sound System of “A’, A, 2A” of the Quantum Universe. (Please read a relevant spiritual discussion here with our thanks: http://naamaukhad.blogspot.in/2012/11/48waheguru-s… )
When we consider the Rows of the Indian Alphabets, we can very easily notice that it carries the Space Element, the K’ in the First Row, while also the Air, Fire, Water and Solid in the other 4 Rows of the Consonants.
If we consider the Columns of the Alphabets and assign the Topological Quantum Divisions of Nano, Subatomic, Atomic, Molecular with Light-Sound dualism or the Wave-Particle Dualism, it goes to the 1st, 2nd, 3rd, 4th and 5th Columns of each row of the Space, Air, Fire, Water and the Solid Rows, that is the 2nd, 3rd, 4th, 5th and the 6th Row of the Indian Alphabets with total of 7 Rows as in the Sanskrit, Hindi and Gurmukhi Alpahebts.
The First and the Seventh Row of the Alpahebts as the Vowel Rows also represent the Light-Sound dualism or the Wave-Particle Dualism as the Light-Wave in the First Row and the Sound or Particle Wave in the Second Vowel Row, which is usually placed as the 7th Row as in the Gurmukhi, the Punjabi Alpahebts.
When we think of A’ as the Planck Length Systems, we can also notice that the A’ and A’ create the A’-O-A’, the First Column of the Indian Alphabets, which seems to the Quantum Superposition that may seem to breakdown the Planck’s Law at the Nano Scales, and thus it favors the Indian Theory of Elements, Dimensions and Universe as recorded in the Philosophy of Indian Alpahebts.
An important point is that when we consider the Quantum Side of the A’, we can always think of the A’ as the major constituent of quantum superposition of the A’-O-A’ with A’ having almost any length as for convenience, we have discussed the A’ as the Planck Length. In this context of A’ having the multiple length systems, we can consider that A’ can be wither Space as A’ or Time as the A0, and thus the A’-O-A’ as the A’-O-A0 is the Spacetime Curvature, which at the same time covers up what constitute the Indian Alpahebts and that is the Dualism of Matter and Consciousness, Light and Sound, Light Wave and Particle Wave, and if we simplify it, we have the A-O as the AUM, the Quantum Superposition that generates what we know as the A-O-M and the A-O-N Quantum Superposition’s, which leads to the creation of Light as the KARA, the K,R is the Quantization of Space Element that produces the Rays of Ethereal World, and thus the A-O-N-Kara, the ONKARA Systems. The Indian Alpahebts are simply expansion of the AUM-Kara, the Wave-Particle-Light Systems, which is recorded as the Transverse Waves, 5 Basic Elements, Space, Air, Fire, Water, Solid and the Longitudinal Waves in the 7 Rows.
So, to know and understand the Indian Alpahebts, the simple point is to understand the A’-O-A0, the Spacetime as the Quantum Superposition, and thus as also the A’-O-A’, the 35 Letters of the Indian Alpahebts are considered as existing in the A’-35 Letters-A’ Quantum Superposition Systems. If we put it as the A’-7 Rows of Indian Alphabets-A’, it covers up the 7 Chakra of the Kundalini, and the 8th Row remains as simply the A’-A-A’, which we know as the Pure Light, who speaks, talks and discusses, and its according to the Indian sacred Systems as hypothesized in the Research of Philselfology, the Single Model and Theory of Everything.
Thus, the A’-O-A’ as the A’-K-A’, that is, the Light (A) and Matter (K) is the Light-Matter interaction as we see in the image below:
When we change the Medium in the A’-K-A’, we get the different levels of the color, charge, energy, sound and light systems from the solid (metal), liquid (water), fire, air, space, ionized and the sound system, which thus and then create the Indian Rows of Consonants and the Vowels.
The two methods that we have discussed as the SAHA and the A’=c*t differ a little as when we go from the 1st Column to the 5th Column of the Indian Alphabets hypothetically follows the SAHA, the Light and Distance, the Spacetime Systems while when we go from the 1st Column to the 7th Column, it follows the A’=c*t increasing, and if we want to simplify it, we can notice that in the Columns, it’s the “S” that expands and in the Rows, it’s the S/A’, which we can also put as the SAHA/A’ expands and “S” changes into “Sh”, the “Sh” is the “Matter” (Rows), while the “S” is “Light” (Columns), and the difference is the S/A’, which creates the Quantum Spectrum.
The “Sh” Pada, the Position differs from the A, E, O, AE Pada Systems. If we consider the Indian Grammars for it, the “Sh” Pada, we notice the following:
(“Sh”+PA)+(TA)=(“Sh”+”BA”)+(TA)=”Sh”+BA+DA=Sh-bada, here the Sh+PA keeps the 3rd Column for the PA and changes into BA, while the TA changes into the DA, and we happen to have the Sh-bada, the Shabada, which is simply the Sh-pada, and the Sh-pada is the 7 Row Pada Systems, while the “A, E, O, AE” Pada are the “Column Pada, the Positions”, and thus we can notice that the Row Pada, the Quantization goes for the “Sh” while the Column Pada goes for the “A, E, O, AE”, Pada Systems. The A, E, O, AE Pada, the Quantization Levels deal with the Nucleus and Atom while the “Sh” Pada, the S/A’ deals with the Atom and Molecular and the Supermolecular Systems.
When we consider the Role of the “Sh”, the Consonants and the Rows in the Indian Alpahebts, we can notice that the First Row seem to act as the Valence Band and the Second Row as the Conduction Band, while the Rows of the Consonants seem to behave as the “Surface States” of the Topological Quantum Insulator Systems in our modern world. We have described the Fermi Levels with differences of A’ as the A’/2, A’, 2A’, 3A’, 4A’, etc. in the Space, Air, Fire, Water, Solid Element levels in the Rows which thus seem to act as the “Fermi Levels of the Surface States”.
The “Sh” Pada as the Rows are called the Matrika, the Mother Systems, while the “S” or the A, E, O, AE Pada are called the Svara (Swara) Matrika, which is the Husband (Father) Systems of the Universe. It’s thus the Philselfological Analysis, the Hypothesis for the Indian Vowels (Svara, the Columns) and Sh-bada (Matrika, the Rows), and thus the differnce in the Sabada and the Shabada.
“Philosophically, shabda is the guna of akasha, or ethereal space. It is not, however, produced by akasha, but manifests in it. Shabda is itself the Brahman” (With thanks from the source: http://www.hindupedia.com/en/Shabda )
The Columns also represent the Bindu and the Rows as the Bindi. The Bindu is Sound of the “M” and the Bindi goes as the Sound of “N”, and thus the “Sh”-bada is in harmony with its etymological correspondence “Sh”-mana, and the 4 Pada Systems of the A, E, O, AE is also the 4 MANA, the MA-NA, the Bindu-Bindi Systems, which is the Process of Quantization in which every Quantum Sound is “Quantized” with the A, E, O, AE Pada (Mana) Systems for the Quantum Superposition as if the White Light Quantization (Sound of M) and the same “Sound Quantization” creates the “Quantum Sound Spectrum, the Sh-bada, the Sh-mana, the 7 Rows of the Indian Alpahebts”, which the “Quantum Sound of N”, the Bindi. The “M” Sound describes the “Light”, the Expected Appearance and the “N” Sound describes the “Shape”, the Expected Size and the Dimensions if we examine the Bindu-Bindi, the MA-NA, the PADA (the Quantum Fluctuations in a way) or the “Sh”-bada in context to the Achim Kempf’s Sound, Shape and Universe Systems mathematically, and its all as according to the Hypothesis of Philselfology.
“Bindu: The dot in Indian alphabets that represents the Anusvāra which is associated with Śiva and Śakti and is of metaphysical significance; in Tāntrika philosophy, the primordial state of Śiva and Śakti in which they are united and undifferentiated, and exist as the zero-point of all creation.” (With thanks from the source: http://www.hindupedia.com/en/Shabda )
“As the universe expands, it is continually subjected to energy shifts, or “quantum fluctuations,” that send out little pulses of “sound” into the fabric of spacetime. In fact, the universe is thought to have sprung from just such an energy shift.” (With thanks from the source: http://www.sciencedaily.com/releases/2013/04/13040… )
So, what is the Quantum Impact of the Indian Alpahebts; these are the Quantum Fluctuations in Columns, which “Spread” into the Rows, the Fabrics of Space, Vacuum and Universe as the Spacetime as thus through the Classical Spacetime (SAHA) and the Quantum Spacetime (NAMA), and makes the Classical and Quantum Spacetimes as the SAHA-NAMA, the Satinama Philosophy, which is most essentially the Indian Philosophy of Languages, Linguistics, Grammars and Sacred Systems with the Vowels, Consonants, and Letters “Threaded, Knotted and Braided” as the Indian Prose, Poetry and the Mantra Systems.
If we wish to understand the Universe with the Indian Alphabets, it’s very simple, the First Row of Vowels is the Origin of the Universe with the Transverse Waves, the Second Row of Vowels is the Scalar, the Longitudinal Wave Systems, which expands the universe from light into “Sound and Matter”, and it thus expands into the 5 Rows of the Consonants, which are also the 5 Basic Elements; the Space, Air, Fire, Water, Solid (Earth). If we consider the Indian Sacred Prose, its written how universe expands as from Sound to Matter, and when we consider the way the Indian Sacred Poetry is written, it describes how the Light, Matter, Energy and Sound “Sustain and Preserve” the universe. In the Prose Systems, the Classical Universe of Matter is present, and the Quantization of Light into Matter keeps the “Octave how we quantize matter, the K’, K, 2K” Systems, while in the Conversion of “Light into Sound”, which uses the 4 Quanta Systems of the A’, 2A’, 3A’, 4A’; A, E, O, AE, etc. is not the creation of matter, but what we know as the “Self-assembling and Self-arranging”, the Ideal Quantum Universe explained as the “Essence of Indian Sacred Music with the Raga Systems”.
In the Indian Sacred Civilizations, we notice the Classical and the Quantum Side of the Universe present, which we can well bridge with the “Vowel, Consonant and the Mantra (Blending of Prose (Consonant) and Poetry (Vowel) Theories”, which are essentially the theories of the elements, dimensions, manifolds, fractals, light, consciousness, self-assembling, self-arrangements, classical and quantum qubit, math, computing, and all that is in the sacred systems, which we discuss as the quantum systems. So, the Indian Vowels, Consonants, Letters, Prose, Poetry, Music, Raga, Mantra, etc. are not just letters, but the Quantum Symbols and Signs of the Language of the Universe, which we can call the Quantum Sign Language as mostly with the A, O, E, AE, the 4 Manifolds, Dimensions and Dipoles of the Universe.
Everything created, designed, prepared and manufactured and or crafted, painted, sung, danced, etc. in Indian Civilizations has always been following these Sacred Quantum Systems from the Thousands of Years as has been in all other World Sacred Civilizations, and it’s now emerging as the Nano Systems, but the Sacred Systems of Indian and Other Civilizations have been preserving it from ancient times, and the prophets, saints, heroes, heroines, kings, queens, and almost all mythological and the historical characters of the Indian Sacred and Quantum Systems are still admired, respected, revered and even worshiped in the Modern India and the Indian Civilizations as they are also part of the Indian World Religions, Faiths and the Mythology, and of course the Indian Arts, Folk, Folklore, Music, Dance, Stories, Fairy-tales, and all that we call the Indian sacred Systems, the Quantum Civilizations, which is the same story in almost all world civilizations.
All of it, the Sacred Civilizations of Every Nation has been well kept by the Aborigines, Native (Desi) People, Rural and Village People, and the Religions and Faiths in its “true form”, and now it has emerged as the Quantum Sacred Civilizations in all parts of the world, which also takes over and up the Modern Civilizations into the Quantum Ancient and Modern Civilizations in which the Sacred Geometry, Math, Music, Computing and lot more as the “Paradigm Shift”:
“This realization of conscious manifestation of virtually anything from energy generation to levitation to nuclear transmutation may represent a far greater paradigm shift than simply tapping into the Zero Point Energy. Beyond the realization and understanding of the vast potential of these interesting times comes the manifesting and creation of a world never yet visualized. We are, in brief, at the ultimate bifurcation point, where order and stability will be abruptly replaced by chaos and a wholly unpredictable, spontaneous generation of a new order — a new order which will require a much higher level of conscious energy input in order to maintain it.” (With thanks from the source: http://www.halexandria.org/dward171.htm and by relevancy: http://www.angelfire.com/hi/TheSeer/paradigms.html )
We can learn it all with great ease due to computers, mobiles and the internet and start to put into our daily life.
The Light Dissipation as well as the Creation of Heat and its Dissipation is what we notice in the Columns and Rows of Indian Alpahebts, and if we ever need to put the Indian Alpahebts to two sounds, the letters, we have All Columns as the “M” Sound Quantization” and All Rows as the “N” Sound Quantizations and in any Shabada, the Letters, the Consonants represents the “N”, the Bindi Sound Systems, while the Vowels represent the “M”, the Bindu Sounds, and the Ratio of the M and N, the M/N gives us the Raga Systems, which is the Ratios of Sounds, the Essence of Quantum Music and Sacred Systems and thus the Quantum Civilizations, with the M and N creating the Quantum Qubit Computing and Math in just a drop of water as the water memory makes quantum computing make the difference.
Here we need to use the reason for creation of Indian Theory of Elements, Dimensions, Light and Consciousness relevant to the Sounds as the Letters of the Indian Alpahebts in such a way that the Bindu deals with Light and the Bindi deals with the Sound, and in this context, the Bindu-Bindu, the M-N simply means the Light-Sound that are also studied as the Forehead Nasal Sounds as we see the “Light at the Forehead as the M Sound, the Bindu” and the “N Sound at the Top of Nose”, and both of these create the Light and Sound Systems of the Universe in the Humans as well as the other living ones and in almost all cases as the Light in the Forehead (M, the Bindu) and the Sound at the Top of Nose, near the forehead as the N, the Bindi, the Indian Letters are the Ratio of the Light and Sound, the M and N.
In context to the Bindu (M, the Light) and the Bindi (N, the Sound), the Indian Alpahebts further seem to go that all consonants use the SAHA Systems in which all consonants add to give the additions of everything as the N, the Sound, the Bindi Systems and the additions of the Vowels uses the NAMA Systems, the N-M, the Bindi-Bindu, the Sound and Light, and thus the Indian Sacred Systems with Consonants and Vowels follow the SAHA and NAMA, and that can be simplified as the Satinama. In both the SAHA and NAMA, the Vowel of A’, A, 2A play the major role as these create the 4 Poles, the Dipoles as the A, E, O, AE represent the modern dipole systems as astrologically arranged in the Indian Sacred Systems. The Indian Columns also represent the 1st, 2nd, 3rd, 4th, and the 0th or the 5th Dimension as the Poles of the Light, the Bindu as the Fluctuation Systems, and as we go down in the rows, we notice what deals with the Sound, the Bindi giving us the “Force of Friction, the Thermal and Heat Energy Systems”. Thus, the Indian Alpahebts represent the “Quantum Fluctuation (M) and Friction (N)”, and it’s the quantum wonder of human wisdom!
(By relevancy: http://www.nanowerk.com/news/newsid=23160.php )
The Energy, the Quanta that each letter in the Indian Alphabet carries can be expressed by E = hc/λ, where the h is Planck Constant, c=velocity of light and λ=wavelength of the letter; the sound as given by the A’=Planck’s Length Systems, and that A’=c*t=λ (Quantum 4-D Systems), and if we use it as the E=hc/λ=hc/c*t=h/t, we have every Indian Letter expressing the Reduced Planck Constant as as t=2π when we consider the A’=c*t, and keep all the quantum tracks as with the t=2π, and thus A’=c*2π Systems, and have it all:
ℏ=h/2π=1.0546×10−34J⋅s
(With thanks from the source: http://physics.stackexchange.com/questions/153807/… )
The Quanta, Photon, Energy and other points that regard the A’=c*t get the names of Indian Consonants based on the point that when the A’=c*t passes through various mediums changes it speed; velocity, frequency, level of energy as the quantum aspects making it very considerable how light passes through the “Mediums of 5 Basic Elements, namely, the Space, Air, Fire, Water, and Solid”, and thus the 5 Rows of Consonants in the Indian Alpahebts as we consider and discuss Gurmukhi, Hindi, Sanskrit and the International Phonetic Alphabet Systems. When the Quantum Light, Sound, and Consciousness Systems of A’=c*t passes through the various mediums, the 5 Basic Elements to say, it comes out with the Longitudinal, the Scalar Wave Formats, which is considered as the 7th Row of the Indian Alphabets.
In other words, the Quantum Energy of A’=c*t with t=2π Systems gives us the E=h/t=h/2π=Reduced Planck’s Constant=Quantum Energy=Quanta for the Indian Letters! In this context, we can also consider that A’, 2A, 3A’, 4A’ is the Set of π/4, π/2, π, 2π as the “Angular Intervals of Time”. (Subject to further research)
If we now consider the A’ in relation to the Circular, Radial and the Angular Systems, we can very easily enter into the Quantum Systems in a more simplified and refined way:
Let’s assume that A’=c*t=2π*r, and here the r is the Radius of the Circle, whose Circumference is expressed in terms of the A’, and that is to say the following:
2πr or 2π*r=A’, and r=A’/2π=c*t/2π, and it also gives us the “Reduced Planck Constant” in terms of the A’ Systems, which keep the A’=c*t
The above system of the 2π*r=A’ creates the “Concentric Circles” with the Radius r=A’/2π with r+h, r+2h, r+3h, etc., where the h=(r+h)-r and as the “Change in A’ as the Change in r, the Radius, and change follows the A’, 2A’, 3A’, 4A’ Systems, which are 4 Quantum Phases, which we can understand as ONE CYCLE with 4A’=2π, and thus the A’=2π/4=π/2 as the Angle, the Curvature of Spacetime that the A’-A-A0 creates, and that in the 4 Phases of A’, 2A’, 3A’, 4A’, a complete cycle of 2π*r is the Spacetime Curve and Curvature that seem to create a circle.
Now, some of the quantum students may oppose it that 2π*r=A’ is right notion and or the notation, so we can make quantum leap if we can assume the following:
Basic Quantum Assumption: 2π*A’=2π*c*t=Circumference of Quantum Circle in which the A’ plays the “Role of Radius”, and if it creates the “Quantum Spacetime Curvature”, we have it all as the 2π*c*t as 2π*A’, and it goes to make all Planck’s Constants keep the dignity of Planck Length even when we have A’=Planck Length and Quantum Circle of 2π*c*t=2π*A’, and how the Planck Length and the Quantum Circle keep a good discussion present here: https://www.physicsforums.com/threads/the-planck-c…
The hidden point in the h=(r+h)-r systems is that when we use it as the Limit Going to Zero (0), it goes to Infinity as with the Dirac Delta Functions, so the limit h->0 for h=((r+h)-r/)r, and it can give insight into many solution if we consider it so as the Dirac Delta Functions in which things going to limit zero go to infinity are the essence of science and technology.
When we consider the Expansion of A’ into the A’, A, 2A, its named as the RA-MA for the NA-MA because its the Quantization that gives RAMA through NAMA Progressions according to the Indian Theory of Elements, Consciousness and Matter in the Indian Letters and the Alphabets. The funny thing is that for the Matter Quantization, it’s the K’, K, KA, which gives rise to the name of the KAMA for the said Progression of the Quantization of Matter. It’s at times described as SHREE (Quantum Dimensions of Matter) existing inside the RAMA (Quantum Dimensions of Consciousness).
When we seem to have the distortion in the SAHA and NAMA, we may have some name derivatives that seem to describe it as bad manner of work for example, the SATA and NA without MA gives the String Theory with the K’, K, 2K and N, the Pluralization of K’ as into Matter, the 5 Basic Elements without terminating it into fully NAMA Conversion, which thus creates from the K’, K, 2K, the Gold, Diamonds, and what we know expensive matter and the materials, and thus the Indian Theory of Matter and Materialism with name of SATA+N=SATAN as the Creation of Matter, which slowly extincts the need to SAHA-NAMA, the Balance of Matter and Consciousness, and its another interpretation seems equally good as with K’, K, 2K, the process of KAMA ending in N and thus “Kamana” (Opposite to Ramana described as RAMA in this series), which is “the desire to manipulate the Wave (A) and Particle (K) Dualism of Light (K-A) for the selfish motives”, and thus may have lot many interpretations thus accordingly, we can use it as according to the Indian Sacred Systems, Elements, Consciousness, Light, Wave and Particle with Theory of Dualism of Light, and also as according to the Theory of Philselfology (Hypothesis and Research of Philselfology).
One of the Major Philosophy in the Indian Sacred Systems is the EAKA-Onkara Systems, and it deals with the E=O+A, and that is E=A’+2A’=A’+A, and is the Special Preposition in the Series of Be Happy Philselfologically because the A’ and A are also the basis and the basics of the A’+2A’ as we have discussed in the Equations 1 to 6 that gives us the insight into how the A’ and the A deals as the 2A’-A’ and 2A’+A’ giving us the Quantum Nodes and the Quantum Anti-nodes, and thus the E as the A’ and 2A’ and the K as the Space Element of the A’/2A’=1/2A’=A’/2, and thus the A’, A and A’/2 as the Quantum Factors and the Factorials of EAKA Systems, which is the ever present 5th Dimension of the Quantum Universe that we can also put as follows:
A’+A’-A’+1/2K’=5th Dimension=EAKA
A’+N(A’-A’)+M(K’)=5th Dimensions, the Eaka at various levels.
A’+Multiplication (A’-A’)+Division (K’ as the A’/2)=5th Dimension
It seems the essence of the Amplituhedron. The reason to say so is that the Geometric Structure of the Amplituhedron keeps on the 1, 1, 3 ratio of its geometric structure the very thing; 0.5, 1, 2 ratios of the A’/2, A, 2A as the “Scattering Amplitudes” as shown in the image below:
How we can assume this multiplication and division is that in the quantum multiplication of A’-A’, we have the A’-A’ and A’+A’, and the factor of quantum division goes well with the A’-A’/A+A’ for the reason that we have the Golden Mean and Ratio going on it all.
In the Feynman Diagram as shown below, we can put it as: P1, P2 and P1-K and P2+K:
If we put A’, 2A’, 3A’, 4A’ as simply the 1, 2, 3, 4, we can very easily get the Amplituhedron otherwise:
One of the Previous Parts of the Series: Everything Quantum is the OORA, AARA and EERI as the “OO AA EE” Qubit with the AEAE Quantum Body of Everything that We can Think: Secrets of Quantum Computing and Computers: Be Happy Philselfologically – 106
One of the Previous Parts of the Series: How Philselfology of Sacred A, E, I, O, U as Divine Vowels, Schwa and Mantras as Waheguru Constitutes Help Qubit and Quantum Languages, Grammars, Linguistics, Computing and Sciences: Gurmukhi, English and Be Happy Philselfologically – 47
One of the Previous Parts of the Series: How Sacred Wisdom of Mouth, Languages, Linguistics and Phonetics with Hindi and Punjabi as Parental and Mother Languages: Philselfology of Glossolalia and Golden Times of India and Modern Quantum Age: Gurmukhi and Be Happy Philselfologically 50
If we consider the SAHA and NAMA in context to the (A’, 3A’) and (2A’, 4A’), we can very easily trace the SAHA, SAT, SOHUN and other Vibration Systems from the Indian Alpahebts, which describe the Quantum Sounds of the Universe, and at the same the NAMA goes far deeper to the NAMAH, NAMO, NAME, and most of the terms of vibrations and the sacred music that goes to describe the Indian Sacred Systems with NAMA roots in the Indian Alpahebts. We have already described the SAHA with A’=c*t, where “c” is velocity of light and “t” time that creates the A’, which is now the Planck Length, t as the Planck Time, and that in the NAMA Theory the “A’, A, 2A” is the “Time Duration”, the Samaya Theory of the Indian Sacred Systems. We should thank Planck, whose great contribution in Science and Maths makes the Quantum Systems have better insight into East and West, the Two Versions of Quantum Systems in our modern world; the mathematical and linguistic.
Shri Guru Nanak Dev Ji calls this Theory of SAHA and NAMA combined as the SATINAMA, which can also be put as the most ancient wisdom of world civilizations as described here with names of Cymatics and Chlandni’s Systems with insight well put as the Amplituhedron, and it seem to full describe the Indian Sacred Systems with the Theory of Elements, Dimensions, Light, Sound and Consciousness as its essence. He later developed the Indian Sacred Systems in the Gurmukhi, the Punjabi Language Systems and also wrote the Gurbani.
In other words, the SAHA as the SATA is what the Indian Sacred Prose represents, while the NAMA is what the Indian Sacred Poetry represents, and thus the blend of prose and poetry goes as the SAHA+NAMA=Satinama, and it’s almost same to say SAHA+NAMA=SOHUN, which again is the Prose-Poetry as the Particle-Wave Theory of Indian Letters as used in the Indian Alpahebts.
So, when we study the Quantum Sounds of the Universe as Achim Kempf does, we have the SAHA as the Particle Waves, and the Light Waves, the Musical Waves as we can also say give us the Particle-Wave Systems as the SAHA-NAMA, the Satinama as given by Shri Guru Nanak Dev Ji, who explained the Quantum Theory and Philosophy of Universe in his childhood and also wrote many doctrines on it.
When we think of the Indian 35 Quantum Sounds, the Letters, the International Phonetic Alpahebts, etc., it deals with the Bindu Theory, the Tat Darshana, which represents one of the main stream of the Indian and World Sacred Systems as we have Two Veda Versions; the Veda as Bindi and the Veda as the Bindu that goes as the Veda Versions according to Shiva (Kashmir Shaivism or Shaivism in general) and Brahma (Vedanta) Sacred Systems.
The Shiva Philosophy goes to what the “Letters say” and thus the 35 Quantum Sounds, the Kashmir Shaiv Philosophy goes in its favor. (Please read more about it from the relevant source: http://www.shaivism.net/articles/11.html )
Now, what we discuss as the A’ is called the Spanda, the Vibration in Indian Sacred Systems as we can notice here:
“Kashmir Shaivism is a source of scientific knowledge predating and foreshadowing discoveries in modern science by millennia. A revered Indian sage of the 20th century, Swami Muktananda, commenting on a specific text of Kashmir Shaivism called the Spanda Karikas, or Spanda, states that the tenets of Spanda are scientific – and that the notions of the world being created from the vibration of the first explosion (the Big Bang), and the universe continuing to expand have always been contained in the knowledge of Spanda and other Shaiva teachings. It would appear, then, that serious consideration of the knowledge contained in this ancient science might inspire solutions to conundrums of modern science.” (Please read more from the source: http://www.scienceandnonduality.com/non-dual-kashm… )
The Spanda as the A’ with A’, A and 2A depends on the 35 Quantum Sounds of Universe, and that is what 7 Rows of Indian Alpahebts as in the International Phonetic Alphabets give us, and that is the Sapta-Matrika, the 7 Mothers, the Goddesses and thus the Indian Philosophy of Holy Spirit, and how it create the 35 Quantum Sounds in the 7 Rows of Quantum Sounds with 5 Basic Elements, Light and Sound, which is thus the Mother, Parent Theory of Indian Prose, Poetry, Vowels, Consonants, Music and Art, yes the 7 Rows of Alpahebts as the Quantum Sounds with the A’, A, 2A Versions. (Please read more from the source: https://en.wikipedia.org/wiki/Matrikas )
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Thanks for your time!
Dr. Harmander Singh
Be Happy Philselfologically while listening to Good Quality Music Everyday!
Author: Dr. Harmander Singh
Be Happy Philselfologically: The Research on Free and Renewable Energy as Quantum, Classical and Sacred Systems! 🙂
