How Philselfological Model of Quantum Bloch Sphere, Quantum Qubit and the Music goes as Single and Simple Model of Learning, Teaching and Educating Everything: Music as 8 Dimensional Model – Be Happy Philselfologically – 113
When we want that our children, youth, aged and other people should learn the Quantum Sciences at the schools, colleges, universities and other places of learning, we need to consider how the “Quantum Qubit” is the “Live Show Everywhere” and that there is no part of any action, though, feeling, emotion, and act that does not take up the “Quantum Qubit Bloch Sphere” as its most essential part. In this part, we take up some major issues of the “Philselfological Model of Quantum Qubit Bloch Sphere” as the Simple and Single Model of Everything.
Every musical instrument has the “NAMA Sound Potential in it” and that remains as the 4th Dimension which we can produce, reproduce and bring to life as a player of musical instruments and listeners to it.
When we hear the Indian Words and Terms say the “NAMA”, we may not immediately pick up the “N,M” of the Instrumental Beats, but the meaning of what the “NAMA” is after all.
When we see any musical instrument say a drum, and that when a child wants to play it, we give it a instrumental hit, and it gives the “N” Sound on beating it and releases the “M” Sound to the surroundings, and that the series of the “N,M” waves and vibrations in almost every direction. This sequence and series from the drum or any other musical instrument is the “Spherical Circles that has the “N,M” Sounds as the Longitudinal Waves and Vibrations and these spread as the “Spheres Spread” while following the sequences as:
“A, E, O, AE, EO, OA” that makes the sounds and tunes with the N and M Sounds in which the “N,M” creates the Bloch Sphere with the X, Y, Z with heights, widths and the amplitude from the A, E, O, and the AE, and in it, the AE remains the prime factor, the amplitude systems and quality of the A, E, and the O, as if the 3 Chirals of Music Systems and the AE as the Spiral that all listeners receive the “Bloch Sphere of EO and OA” in which the music is inscribed as the “Quantum Qubit Systems” and with it comes the “N,M” Sounds of the Longitudinal Waves with Dense, the N and Not Dense Longitudinal, the M Waves, and we listen to the music as the “A, E, O, AE, EO, OA, N, M” as the 8 Dimensional Music Setup inside the Bloch Sphere of Music. This is the “Musical Pulsar” and the very arrangement and rearrangement of the “A, E, O, AE, EO, OA, N, M” makes music standardized with what we know as the “Indian Raga Systems”, the Ideal Music Tunes, Volumes, Beats, Rhythms, Melodies and all that makes music Quantum and Sacred is the “A, E, O, AE, EO, OA, N, M” Quantum Pulsar of Sound, and it has everything that we can study as the “Quantum and Qubit Systems” and if we can understand it, we can understand any music system of the world.
In the image below, we notice that the “Longitudinal Waves” go as the “A, E, O, AE, EO, OA” and the UP and DOWN Waves are the “N,M” Pressures that we create by playing any instrument, and in it, the pivot is the “EO and the OA” which is the “Pinnacle of Music” as the “Bloch Sphere Manager of Music as the Quantum Qubit System”, and all of it is as shown below:
Now, this “Quantum Qubit Musical Model” has Language, Grammar, Math, Music, Science, Philosophy, Religion,… and human in it with “Nature as the Teacher” and it alone has been the “Teacher of Everything Model in All World Civilizations”.
The Sound that remains as the “N,M” inside every instrument is same as we discuss the “Dipole Systems” and this “N,M” is discussed as the “NA,MA” and only trouble that we face is that the “A” is one of the most hidden character in everything that we say is the “Quantum Qubit” and that as we discussed the “A” is always hidden as the “A’-A'” that if we ever want to understand is the “A’-0A’-0A’-A'” in which the “Sacred or the Quantum Dipole” is not active. The passive “Dipole is 0A’-A'” where almost nothing happens without activation that makes it go through the “0A’-0A'” Phase Transitions as we see “A’-(A’-A’)-A'” raised from the “A’-0A’-0A’-A'” with addition of the “Beat in Music” as with “A” Vibration” so, the “Musical Qubit Quantum Systems” are the “Sacred Theory of Dipoles in which we have the “Two Dipoles: “A’-(A’-A’)-A’ and “A’-0A’-0A’-A'”, which we notice in everything that exists in the universe including the universe.
This very system of two dipoles is what makes the NAMA and the NAAMA Theory as the “Two Dipoles Interactions” that is present in the Indian and World Sacred Systems as the “Shiva and Shakti”, “YIN and YONG” and with so many other names that we know about the Electric and the Magnetic Systems. The “A’-(A’-A’)-A’ is the Shakti, the Force that is the N Sound Systems “A’-0A’-0A’-A'” is the Shiva, the Power of Direction, and for an ease, we simply need to note it as the “N” as the Sound that is yet to give its sound, and “M” is the sound that we always hear in the surrounding and say in the music. The music goes inside the “N,M” as the two dipoles of the “A’-(A’-A’)-A’ and “A’-0A’-0A’-A'” and that we use as the “A, E, O, EA, OE, OA” with its original sounds of “N,M” and this same systems are what we know as the “Indian Sargama: SA RE GA MA PA DHA NI SAH”, and its always as the Quantum Qubit System as we have discussed in this series.
As we read such new quantum systems, it may seem either very to many and very difficult to many readers and even the musicians, and this is what we will notice during this year 2015 and next years as the easiest single model of everything say the music as the quantum science, studies and research.
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Thanks for your time!