How All World Civilizations Represent the Sacred Dimensions of Power and Energy, the Shakti, the Force as the Theory of Sacred Circle, the Bindu: Be Happy Philselfologically – 70
We have already discussed about how the Theory of Moolmantra describes the 16 Sacred Dimensions of the Universe. Here we need to remind ourselves that all of the World Religions and Faiths teach the same. For example, when we read or see the “Symbol of OM”, the “Bindu” in it is the 8-Dimensions of Sacred Set of 16 Dimensions, and the OM represents it the same point as does the 1, the “One” in Ekonkara as proposed by the Founder of Sikhism, Shri Guru Nanak Dev Ji. It is just a matter of language, geometry and cultural or relations thus formed in any civilization that we have these sacred representations of 16 Sacred Dimensions of Power and Energy, the Shakti.
In every symbol and the logo of the Interfaith, Inter-cultures and civilizations, inter religion and faiths, and anything that relates to any world religion, faiths and any form of spiritualism has the same 16 Sacred Dimensions of Shiva, the Power and the Shakti, the Force all over the world. The every sacred symbol below represents the 16 Sacred Dimensions as either 8 or 16, and in some as the set of 4 Sacred Dimensions, and all having the same thing in it:
The reasons that all sacred systems of any world religion, faith, spiritualism, and the sacred education and research systems have all the dimensions represented in 4, 8, 12 and the 16 sacred dimensions as in the “Living Giving Systems”, which the Indians call the Devta’s, the Gods, and the Devi’s, the Goddesses have what we know as the “Life Giver”, the “Dev System”, the Dena or Deva has one of the most primitive and pure dimensions, which is by all possible means of sacredness as present in the sacred in any given DNA, we have it as the Sacred Vowels, the Primal Sounds of the Universe, and these always remain in set of 4, 8, 12, and 16, and these are thus based on the Pure Art (and this perfection is popular as the Arti and the Arta or simply the Art, the Kala in the Indian Sacred Systems, the Kala is the Conversion of Consonants into Vowels, the Process and Theory of Creation and Generation of Light as Wave as it follows the Wave Theories of Light, while it also sustains the Life Cells as the Honey in the Honeybee Hive 8 Dimensieronal Squares (6+2), and the Kaala means anything in which the consonant clusters which eventually decay into lower frequency of light and thus follow the theory of degeneration, and thus the Kaala that Laya’s, musically and mathematically as if particle side of light emerges in Ka, the matter), and thus the Math, Geometry, and anything that has a perfection. All the 16 Sacred Dimensions are the Reflections of Sound Energy as the Light Energy does in a given Squared Glass or a Prism from a given Square, and as the Number of Square increases, we have “OO, AA, EE, …”, and the rest of the sacred 16 voices coming out from a given box, the square. The wonder is that in the “Sacred Spectrum of 7 Colors, the Rainbow”, we have, all when united create the “White Light”, the Free Radical and or the Electron Theory of the Semiconductors as when we create sounds from Resonating Boxes, we at times can have the frequencies of say yellow and blue vibrating more than just making it green, and here we have sound and light acting as the particle and wave, and we can always assume that with resonance, the sound colors can be in the form of white light.
If we consider 16 Sacred Dimensional Box as one, we have its 20 Sacred Dimensions, which include its 4 Faces that make it 20 Dimensional Visible Sacred Box, and it seems the major reason that we can see the Sacred Box of 20 Dimensions, but its 16 Dimensions inside it remain hidden. It gives a one of the most wonderful analogy that the 16 Sacred Vowels create the Hidden Dimensions, and the 20 Consonants create the Visible, the Audible, Hear-able and Editable Voices, which we can understand and see by ears, and thus the Range of Visible Words by the Ears in the same way as the Visible Light to our eyes.
Now, the reason that all world languages use these 36 vowels and the consonants and it adds up only 35 is that it has one vowel as the combination of two and that is the “S” as the “S:” “Sah”, and thus one the Sacred Scale of Languages, we always have 35 Sounds as a Set of 5 Columns and the 7 Rows, and it never changes for any language in the world. It helps to understand the Periodic Table, Music, Math, and the Semiconductors and the Nano Technology!
“… all world languages have the same words, the letters and the sounds, and thus the divine vowels as we notice and see in the Punjabi Languages and the Gurmukhi Scripts that is similar or same at many places to Hindi.
About the clusters of the consonants, it gives a wonderful solutions: “Compound letters are avoided in Gurmukhi, with the exception of haha and rara, which are joined with consonants at their foot with the signs. Gurmukhi script is an evolute from the old Brahmi script like Devanagari and other scripts of the area like Sharda, Takri, Mahajani etc. Gurmukhi characters are even older than Devanagari.” (With thanks from the source: http://www.thesikhencyclopedia.com/gurmukhi-callig… )
It very strongly seems that the Modern English language developers have tried their best to remove the clusters of consonants but while doing so, there are many new big clusters of consonants as it cannot be set of 26 letters but same as the Sikh Gurus, especially Shri Guru Angad Dev ji gave, and that is the set of 35 words, the letters that are same or at least almost same as the Old English Alphabet, and thus we may have many good solutions and thus the least possible problems in the modern and the future world!” (From the link below under the image)
Sacred Wisdom of Mouth, Languages, Scripts, Linguistics: How World has Hindi and Punjabi Parental and Mother Languages: Philselfology of Glossolalia and Golden Times of India – A Civilization – 50
This is the Essentials of Pure and Perfect Knowledge in the universe, and we all have it.
The Western Civilizations and many in the Eastern Civilizations follow the Angle Theory of the Butterfly, which again is the Theory of the Sacred 8 Dimensions of a Hive, which the Indian People call the “Shri”, the Female Energy:
“Marija Gimbutas believed that the labyris was a symbol of the Goddess as butterfly. The various stages of the life cycle of this insect can be seen as representing the cycle of life, death and rebirth – or resurrection.
The butterfly in itself frequents Minoan art both on Crete and the surrounding islands, and some places the connection with the Goddess seems obvious, such as this butterfly goddess.
The lily is also associated with the labyris, represented stylistically in sacred landscape paintings looking very much like labyris.
The shape of cattle horns and the cresecent moon are also seen inthe labyris shape. It was extremely common to place the labyris between Horns of Consecration; most such horns had holes that would fit such a double axe. The labyris coming up from the head, between the horns of a bull or a cow is also common.” (With thanks from the source: http://potnia.theladyofthelabyrinth.com/symbols-of… )
These Sacred Structures create the Iron, Copper, Zinc, and say the Sodium Chloride Crystals in living bodies including the humans as these are similar to the Sacred DNA structures:
The Indians Sacred Education Systems and the Studies focus on it, the Physiology as the “Shri” as the all the Sacred Circulations that are run by the Circles, the Chakras of the Kundalini, the Glandular Systems inside us all, which are like the various Bindu Patterns inside as if Dotted Seven Sacred Bindu’s, the Points that create the 7 Chakras all and these make all the Circles, the Cycles, the Biorhythms and what we know as the Human Body as the “Nari”, the Woman or Female Side of the same “Purusha, the Powerhouse, which all men and women share alike as the Pure Chemical Secretions of the Glandular System as the Kundalini, which means whatever “Circulates inside Men and Women to say”, and thus it also means the “Nerve”. Thus, we have a unique Kundalini is like a Sacred DNA Thread, and rather to say the “Pure DNA String of Living Universe in the Universe”, and thus the String Theory of the Universe, which we all have with various “Rang” on it as we have perfectly inside the Pure DNA, the 8-Dimensional Setup of Living Glandular System that does not require any Force, the Shakti but in Association, yes the Creation of Life with the Shakti, the Matter and the Living Force of the Daughter DNA of 8-Sacred Dimensions of Energy, the Shakti, we have the “Living Glandular System”, which when dissociate one dies physically. In body its one of the most natural and the sacred function:
Understanding Inner and Outer Kundalini: How Sacred DNA and the Resistance Bands Represent the Kudalini Inside and Outside as One, and Source of Amrit: Be Happy Philselfologically – 64
Thus, the “Karama” means Swimming in the Ocean of Words and Sounds as the Indians call the “Bhava+sagara”, the “Ocean of Bhava, the Feelings which the Sacred Sounds give”, and the Indian Spiritual Songs and the Bhajan are well said and sung about and on the Sacred Sound in the Cluster of Consonants:
Thus, the First 8 Sacred Dimensions of Shakti, the Force are by the Clusters of Consonants, the Word as we say, we all live in what is created by the Shabada, the Sound, the Word and so on, and the Second 8 Sacred Dimensions in the set of 16 is by the Shiva, the Power of Sacred Vowels, the Sounds, which is popular in India as the Swaraga, the World of Swara, the Sacred Sounds. These together as the Vowels and Words, the Letter constitute the world in which we live, and the Indians call it the “Sansara”, the Beautiful World of Sacred Words as the “Satyama Shivma and Sundrama”.
We have discussed it in the previous part of the series:
How Indian Sacred Theories of Pure DNA, the Vedas and Sacred DNA, the Purana are the Incarnation and Reincarnation of Pure and Sacred Worlds of DNA: Sacred Sikh Moolmantra and Be Happy Philselfologically – 68
This simple explanation of inner world as the source of pure knowledge and the wisdom is the source of all kinds of world education systems we have in our modern world, and the only chaos seems in it that we have the outer world as the output of the inner world, and thus the reincarnated world, and both worlds together make the inner and the outer world as the perfect or the ideal world that we can easily create as Plato explains in the Theory of Forms calling it the Inner and Outer World, which the Indians call the Loka, the Outer or World of the Shakti, the Force in which we can use the first 8 sacred dimensions that we use to run the human body and mind systems as the Mann, the Creative Intelligence and the Budhi, the Intellect, and the Parloka, the Inner World of Power, the Human Sacred Brain Acidity in which everyone use Pure Human Sacred Knowledge intuitively, and has two faculties of purity running it as the Chit, the Clouded Audio and Video, the 3-Dimensional Setup inside all of us, and the Ahankara, the Self-editor, who can edit and run what one see in the Chit, the Chitran as the Audio and Videos of Human Brain. If we do not help in it, we can have serious psychological and psychiatry problems based on mainly, the psychosomatic world we have inside all of us:
Thus, this Sacred Systems of 16 Dimensions as according to how human brain in association with say abdomen and thus the psychosomatic world, and thus the powerhouse with the sacred dimensions of 9th to 16th, and the body with the heart and thus the physiological world with the sacred dimensions from 1st to 8th functions and works.
Considering it, we have it as the Syllabus and Co-curricular activities made available from ages, which Shri Guru Nanak Dev Ji has reinforced by introducing a very simplified Punjabi Sacred Grammar Works and the Sacred Compositions of the Gurbani, the Sacred and Perfect Compositions in the Indian Rags based on the Moolmantra as all of the Gurbani, the Teachings of Living Guru, Shri Guru Granth Sahib Ji is Sacred Explanation of the Sacred 16 Dimensional Moolmantra and says that all holy scriptures in the world embrace it in the various world languages and we can comprehend it well in our native and the original languages. This Concept of God is of Sacred Word as God, the Akaal Purkha or Purusha, A+Kaala, Not having any consonants, struck sounds, and so on, and the Paras, the Pure DNA as in the Human Kundalini’s, in which it Beats the Primal Sounds of the Universe, and thus the Timeless and Immortal God as the 16 Sacred Sounds, and thus the Light that Speaks and Talks, and has always helped all world religions and faiths write scriptures in various languages, the Shabada Guru, the Sacred Word as the Guru, the Lord as described by Shri Guru Nanak Dev Ji, and also by all other Founders of World Religions and Faiths, who has always educated the world with Sacred Word as the God, Thy Lord. We can have all as the world citizens! 
As we have discussed earlier, the Light as the Particle is well studied by Sir Isaac Newton, and here we have also discussed it as the Wave, which follows all laws and the principles of light as wave rather than particle, but however when it is in the influence of force, it works and we have an output, which is how light changes into particle, the matter when anything uses force and in this case, we have discussed it as the light other than white acting as the “gu” and the “ru” as the sound energies, which when applied on white light in straight line, and other forms of light in any shape after use of force, we have conversion of light into matter, the new product by using the “sound energy”. In this case of the most popular examples is the “Gong” sound of the drums, which uses the Static Energy into Kinetic and the Dynamic Forms of the Sound Energies, while the Transitional Sounds are mostly Silent “OM”. In the “Gong” Sounds, we have all 16 Sacred Sounds Beginning and Ending with G(OM) to G (14 Sacred Sounds of “AA EE OO” and All 16 Sacred Sounds) do the Visarjana as G(Namah). Its an interesting point that “Ga”, the “Gu” of the word “Guru” is the sound of the matter sound energy and the “Ra”, the “Ru” of word “Guru” is the sound energy when the sound leaves the medium, say the drum, and or any instrument, which produces the sound of “Gong”, the sound energy in matter, the given material. Thus, the Indians use it as the Most Primal Sound in the Sacred Mantras of the Guru: “Gran Grin Gron Sah Gurvey Namah!”
When we hit the drum we give all of the static energy stored in the “wooden hammer” to the drum, and then in the 14 Sacred Dimensions of the Sacred Drum produce the 14 Sounds, which end up in the 15th Dimension as the “Sah”, the metallic vibration, which one leaving says: “MM”, and it can be the Vice-Versa as the “MM” and then “Sah”, and it can be jointly as the “So-Hun”, which gives the normal beats at say from the “Sohun” to “Hansah”, which means when we hit the drum we have given the “Sohun” Sound Energy to it, and it gives back the “Hansa”, which is set of 16 Sacred Dimensions, and the “Hrim” remains in the Middle in the 14 Sacred Dimensions of the Drum, and this Sound of “Hrim” is the Goddess of Sacred 14 Dimensions, the Bhavana, and thus known as the Bhuvaneshari Devi, the Goddess. It differs a lot from the voices of honkers, which I keep hearing in front of our home most of the times day and night.
Now, the Inborn Genius carries all researches naturally of say 9th to 16th Sacred Dimensions, and others have it in the 1st to 8th Sacred Dimensions, as long as one lives, we have it and that is what it means Finding Genius Within as the Sacred Vedas explained by Shri Guru Nanak Dev Ji says and thus the Philselfology!
We will edit and add!
Thanks for your time, and Be Happy Philselfologically, while doing the Swaadhaya, the Self-study and Learning as the Personal Researching!
Author: Dr. Harmander Singh
Be Happy Philselfologically: The Research on Free and Renewable Energy as Quantum, Classical and Sacred Systems! 🙂
