How Indian Theory of 3 Guna as Exponential Quantum Multipliers Explain Quantum Cancer Cure – 173

How Indian Theory of 3 Guna as Exponential Quantum Multipliers Explain Quantum Cancer Cure, Topological, Complex, Euler and Quantum Superposition, Supreme Consciousness as 0 and Super Molecular as 4th D’s: Gurmukhi and Be Happy Philselfologically 173

It seems very dangerous for humanity in context to health, mental health; time, energy and money-wise when we seem to interpret the Philosophy of 0, the Zero and the 0th Dimension at what seems the most attractive dimension of this century, yes the 4th Dimension, which we seem to call the Quantum Dimension, which simply seems the Dimension of Supermolecular Systems, which can go through re-assembling. The 0-Dimension with almost no consideration of the Manifold and the Dimensional Systems may it be 3 Dimensions or the 4th Dimension. We can thus add the Philosophy of Metamaterials, the Supermolecular to the 4th Dimensions and the Consciousness as the 0th Dimension. Here, we can also notice that Nano as we have considered as the A’ in the A’, 2A’, 3A’ and the 4A’ with as the A’, A, A-A’,2A; the O, A, E, AE Systems is the First Dimension (A’). If we consider it like this, we can save lots of time, energy, money, resources, etc., and wishing all the best to those, who want to consider the 0-Dimension as the Quantum of Quanta’s and Quantum’s! 

Shri Guru Nanak Dev Ji has described his Philosophy of Quantum Vacuum and Space through the SAHU Systems and has elaborated it as his most famous Theory of Satinama, the Role of Space in Quantum Vacuum, and he has further clarified it by using the term of SACHU, the Space and Sound Philosophy and we can thank Achim Kempf for doing the experimental solution in our modern times.

A good discussion goes at the Stackexchange (Physics) that discusses how in the Theory of Equivalency dealing also as Entanglement and Simultaneity; no action disturbs the other in the Theory of Simultaneity, which we can well correlate with the Theory of Similarity in Symmetry and Simultaneity, which breaks down the Theory of Relativity in the Classical Systems as we notice in the this discussion:

“Entanglement and Simultaneity

According to the special theory of relativity, distant simultaneity depends on the observer’s reference frame.

And, according to the quantum theory, in the case of two entangled particles, a measure on one of the particles simultaneously affects the second one. Under which reference frame is this simultaneous?

Entanglement produces correlation, not causation. There is nothing in special relativity that forbids correlations without causality. Ontologically, of course, special relativity is simply not a complete theory and, more importantly, it’s not a holy cow. Even if quantum mechanics would violate special relativity, the world wouldn’t end. Quite the contrary, we would simply have cast SR aside as a poor description of nature and replaced it with something better. – CuriousOne Dec 23 ’14

It doesn’t really matter, because the phrase “simultaneously affects the other particle” is misleading.

Let’s suppose you have a pair of totally anticorrelated photons. You measure one of them, then you’ll know the outcome of the other one. The phrase “the measurement simultaneously affects the other particle” is not physical, because until you actually measure the other particle, you can’t even notice anything different. There is no “effect”. The only thing we can meaningfully talk about is the two measurements of the two particles. Now, depending on the reference frame, one will come before the other (or they are simultaneous) and whatever we measure, one result will imply the other.

This is why I think that the term “the particle simultaneously affects the other particle” is not very good, because it implies something like an active link – but depending on the reference frame particle A would affect particle B or the other way round. There is no “one particle affecting the other”. Only if you are in a specified reference frame, it looks like there is an immediate influence of one particle on another.” (Please read more from the source with our thanks: http://physics.stackexchange.com/questions/154640/… )

The following question invites our attention to Law of Equivalency with Entanglement, Simultaneity, Symmetry, and thus the Quantum Relativity as the Theory of Quantum Equivalency that goes well with Topology, Lie Algebra, Quantum Qubit Computing Systems, and the Quantum Relatedness all the way in the universe and outside it in what we know as the Quantum Theory Superuniverse.

“Relativity denies simultaneity. Quantum physics insists upon it. How can these be reconciled?“

Thus, the “Sachu” in this context goes as the S, the 0-Dimensional Space and the Ach, the Achu in the Indian Sacred Systems is the Theory of Vowels, which we know as the Primal Sounds of the Universe, which create the universe, and we have discussed these Sacred Vowels as the Standard Group with its Conjunctures as the A’, 2A’, 3A’, 4A’;, A’, A, A-A’,2A; O, A, E, AE, etc. in the series or even otherwise.

Here, when we consider the Sachu Characterization of the Indian Alphabets say the Gurmukhi Alphabet, we can very easily notice that the 5 Rows of the Consonants represent the Space, Air, Water, Fire and the Solid Elements in the Quantum Nuclear Way, and that is as the following:

1. The First Row of the Consonants in the Indian Alphabets for example the Gurmukhi represent the Space Element, which we study say as the Nano Nuclear Systems of the Matter. It’s well represented say as the A’/2 in the A’, 2A’, 3A’, 4A’ Topological Quantum Setup of the Universe.

2. The Second Row of the Consonants represents the Air Element, which we study say as the Sub-atomic Nuclear Levels of the Matter. It’s well represented say as the A’ in the A’, 2A’, 3A’, 4A’ Topological Quantum Setup of the Universe.

3. The Third Row of the Consonants represents the Water Element, which we study say as the Atomic Nuclear Levels of the Matter. It’s well represented say as the 2A’ in the A’, 2A’, 3A’, 4A’ Topological Quantum Setup of the Universe.

4. The Fourth Row of the Consonants represent the Fire Element, which we study say as the Molecular Nuclear Levels of the Matter. It’s well represented say as the 3A’ in the A’, 2A’, 3A’, 4A’ Topological Quantum Setup of the Universe.

5. The Fifth Row of the Indian Consonants in the Indian Alphabets represent the Solid (Earth) Element, which we study say as the Macro Nuclear Levels of the Matter. It’s well represented say as the 4A’ in the A’, 2A’, 3A’, 4A’ Topological Quantum Setup of the Universe.

Meanwhile the First Vowel Row represents the Lower Dimensions of the A’/2 in the A’, 2A’, 3A’, 4A’ Topological Quantum Setup of the Universe. While the 7th Row, which is say the Second Row of the Vowels represent the Higher Dimensions of the 4A’, which is the Higher Solid Nuclear Dimensions of 2A, say Earth, Moon, Sun, Star and the Galaxy Levels in the A’, 2A’, 3A’, 4A’ as the 2A, 3A, 4A, 5A, 6A,…, 64A, 128A, 256A, and the Higher Dimensions in the Topological Quantum Setup of the Universe as thus the Hypothesis of the Philosophy in which we have made some assumptions based on the Indian Theory of Elements, Manifolds, Dimensions, Light, Consciousness, and the Quantum 4 Pada Systems of the A, E, O, AE, which are also the First 4 Vowel Based Composition System of the First Indian Sign of Aries and the First Constellation of the Krittika Nakshtra in the Universe, and rest of the Indian Sacred Systems follow the 4 Pada Systems, which we have also discussed say as the Sacred Dipole of the Universe, that is the A, E, O, AE; A’, 2A’, 3A’, 4A’; A’, A, A-A’,2A, etc. in this Series of Be Happy Philselfologically.

Here, we can also remind ourselves that we have discussed it say as the Dipoles as say the WAHEGURU Dipole of the A, E, O, AE Vowels in the World Languages and also as the Euler’s Math, Quantum Qubit Computing, Math, Linguistic, Quantum Logic Operators, Topological Math and lot more, but the similar including the Homotopy Type Theory, Topology, and most of what we discuss say as the Quantum Paradigm Shift, and it’s also Essence of Sacred and the Quantum Systems of the Ancient and Modern Sacred Quantum World Civilizations.

The Indian Sacred Systems have always used the Letters as the Numerals and in this context, the Indian Alphabets say the Gurmukhi is almost same as the Abacus Wisdom of the Chinese, Japanese, Korean, Egyptian and Other Ancient and the Sacred Civilizations of the World, and no wonder all computers, machines, mobiles, and the internet are based on how the Sanskrit Languages have been using the Letters as the Numerals and thus the Sacred Abacus with 4 Columns of 4 -Dimensions and all ending up say into the Base of the 0-Dimension of the 5th Column in the Indian Alphabets.

Here, we can also notice that the Columns of the Indian Alphabets are like the Manifolds of the Dimensions of the A’/2, A’, 2A’, 3A’, 4A’, and the Higher Dimension, for example, the 5 Columns in the First Row of the Consonants gives the Manifolds of A’/2 and ends up with the A’ in the Beginning of the Second Row of the A’, and it makes the Indian Alphabets unique, and at the same time, we can do the same for the International Phonetic Alphabets of Every Language in the World Civilizations and the World in general.

In our discussions, we have generalized the Indian Alphabets and as well as the International Phonetic Alphabets when in the 5 Columns Multiple Rows say 7 Rows in the Hindi, Gurmukhi (Punjabi) and Sanskrit as the Super Abacus in the Language and Linguistic Way. If we want to keep it active and alive we can notice that we have to keep the First Letter of Every Row say as the Multiplier that ends up with the 5A’, 10A’, 15A’, … 5(N)A’, where N=1, 2, 3, etc., and thus the Natural Number, which deals with the A’ Systems that in one of easiest assumptions considers the A’ to be the Complex and Imaginary Number Theory, and it too should be taken and addressed as the great ease because when we say that the A’ is the Complex and or the Imaginary Representation, it simply starts from the Left Side of the Origin of the Cartesian Graphical Systems. In other words, the A’ starts from the Left Side of the Origin, the 0, and thus are the Negative Number Representation for example we can assume that A’^2=-1, and that is the A’^2=A=-1, and that is the A is one the -1 Point on the Complex, Imaginary, Real and Most of Other Mathematical Calculations and Representations, and its counter part that is the +1 is the A*A=1, A’^4=1, which is also A*A=2A is the +1 on the Graphical Representations.

When we consider the 5A’, 10A’, 15A’, … 5(N)A’ of the Rows of the Alphabets, it’s from say the A’/4, 2A’/4, 3A’/4, 4A’/4 as Vibration Theory with A’/4-A’/4, A’/2-A’/2, A’/3-A’/3, etc., which we have also put say as the A’, 2A’, 3A’, 4A’ and 5A’ Systems, and that can be thus simplified to be say Pi/4, 2Pi/4, 3Pi/4, 4Pi/4 and the 5Pi/4, which is 45 Degrees, 90 Degrees, 135 Degrees, 180 Degrees, and with 5Pi/4 say as the 225 Degrees, where it acquires the Superposition with 180 Degrees as at 5Pi/4 is 180+45 Degrees. The O, A, E, AE also describe the 90 Degrees, 180 Degrees, 270 Degrees and the 360 Degrees. Here, we need to consider that the 16 Spins of O, A, E, EA, etc. differ from considering the same in the Alphabets of 35 Letters, where in the Gurmukhi the O, A, E, AE, etc. become the OORA, AARA, EERI, and EA goes into the Quantum Phases of SA, the SASA, the 4th Letter where it should complete the 360 Degrees with SAHA at the 0 Degrees and the RH-H-RA, the 35th Letter as the 36th Angle with the 10 Degrees each for each letter if we ever construct the 360 Degrees with the Gurmukhi Alphabets with Zero Degrees set to SAHA and 35 angles of 10 Degrees each making the 36 Letters and the 360 Degree Circle of the Circuit or the Qubit Systems. So, when we say First Letter is say A’/4 Systems, it’s all for the simplification purposes, and we can format it and give versions for any calculation purposes particularly when it comes to be the Fourier Transformations and or the Euler Exponential Functions. If we make it tuned with the International Phonetic Alphabets and regional alphabets as Gurmukhi with 35 Letters and 36 Basic Points of Rotation, we can make it the Quantum Multiplier Tables for the Children and Grown Ups to learn and understand the Future Quantum Generation Works, Studies, and the Researches.

In the Indian Alphabets, we also have the 16 Sub-multipliers that are as the A-AA, E-EE, O-OO, EA-EEAA, AO-AAOO, EO-EEOO, N, M, S, SAHA Systems, which we notice mostly written as the KA, KE, KO, KEA for the given letter, the K is an example of the given letter. As we have considered the great role of Quantum Abacus in the Languages and that is why the 5th Letter goes as the 5A’ Systems, the Indian Systems with the 16 Vowels as the Quantum (Quantity, Quanta, Maatra) Multipliers use it that way and at the 5th Letter it makes the use of one of great Indian Multiplier of 2.25, which if used in the Alphabets or the 16 Vowels make all calculations go as the 16*2.25=36 and that makes the Indian Vowels of 16 and the Alphabets of 36 Letters with SAHA Equivalent, and that goes as follows:

Letter Multipliers=2.25*Vowel Multipliers=2.25*16=36 (Indian Guna, the Quantum Multiplier Systems)

36 Letters (SAHA included)=2.25*16 Vowels=36

It’s the Quantum Perfection of the Indian Sacred Systems, which uses the Scale of 16 in Everything in Indian Sacred Systems which is used in the Composition of Ragas, Weight (Also in Ayurveda Systems), Astronomy, Astrology, Mythology, Length Measurements, and thus all that we can consider as the Sacred Indian Systems that are also the Sacred Quantum Systems of 4*4 (16) Quanta Quantized Systems of the Indian Civilizations from most ancient times that we know in the human records.

How the 2.25 has the 0.25 in it all is named as the Swaya in the Indian Sacred Systems, and it says that everything ascends with the 0.25, the Swaya Multiplier as the Gurbani Talks about the SAHA, the 0 Degrees of the Space as the Frame of Reference as the Poora or the Pooran, it says:

Saloku: “Pooran Kabahun Na Dolta Poora Kiya Prabh Aape

Dinu Dinu Chadai Swaya Nanak Hot Na Ghate” (Gurbani)

“The SAHA of 0-Degrees that we keep achieving as the Complete and Perfect Systems of Space that remain fixed and unmovable start from 0 and keep ascending and expanding as the Multipliers of Swaya (0.25) as we get the Full Moon Day (Pooranmasi) every month”.

Thus as the Schwa in the Languages so is the Swaya (0.25 Multiplier) in the Indian Sacred Systems say as the Multiplier of 1/4=0.25 for greater ease of multiplications.

When we have considered the 4 Quantum Operators of Quantum Systems, we have put it as the A’, 2A’, 3A’ and the 4A’, which is in the Quantum Multiplier Order of 0.25, 0.50, 0.75 and the 1.0 as in the Ascending Quantum Multiplier Systems as the 1*0.25,2*0.25, 3*0.25, 4*.025 that we have put as A’, 2A’, 3A’, 4A’ give what the Quantum Systems need to consider in the Heisenberg Uncertainty that still seem to play its role when we have the Quantum Cloud with Multiple Values of these Multipliers in the Range and Domain of 0 and 1, which we have as the 0.25, 0.50, 0.75 and the 1.0 or the 1*0.25,2*0.25, 3*0.25, 4*.025 for the A’, 2A’, 3A’, 4A’ Quantum Operators, which also seem a good consideration of the Quantum Density Operators of Topological Quantum Field Theory based Systems.

The Indian Sacred Systems do not jump to conclusions based on the numbers, but what the Word, the Quantum Systems, the Kala, the Art of Universe Fabrication (Rachna) Systems claim in the Indian Vedas, Gurbani, and also in the Buddha and Jain Systems of the Universe. For this reason, the Indian Prayers always include the Schwa and Swaya Philosophy of Universe, and that is also the reason that people offer Daily Prayers, Kirtan and Chanting of Mantras to remember the Schwa (A) and Swaya (0.25) and pass it to next or the future generations.

The Indian Sacred Systems claim that the Fabrication of Universe is like the Braiding of A’, 2A’, 3A’ and 4A’ with Swaya Systems of 0.25 that keep the Two Parts of Braiding Active, which we have as the 2A’ and the 4A’ that gives the A and 2A as the 0.50 and 1.0 Systems of Braiding, while the Passive Braiding of the A’ and 3A’ aligns with the A and 2A as the the 0.25 and the 0.75 of the A’ and 3A’, which is well summarized as in the relevant theories described in the following Wikipedia’s:

https://en.wikipedia.org/wiki/Canonical_quantizati… and https://en.wikipedia.org/wiki/Phase_space_formulat…

The Philosophy of Braiding expands with Two Active Parts, the Active Dimensions assisted with one as multiplier that joins Braiding with its next levels, the layers while the 4th part gives it the strength, it keeps the both the Manifolds and the Dimensions remain active in the Braiding as described below:

“Braids consist of at least two thread systems that intersect alternately and have a defined angle at the selvedges, the so-called braiding angle. At least two thread systems are needed to manufacture a braided structure. With braids it is possible to produce 2-dimensional as well as 3-dimensional structures. The most commonly known methods for braiding are flat braiding, packing braiding, rotary braiding and overbraiding.” (With thanks from the source: http://www.produktionstechnik.rwth-aachen.de/cms/P… )

Now, the Fabrication, the Rachna Systems, which is same as the Rasa Leela Played by Lord Krishna with Two Sticks in Hand that one interacts with the Two Sticks in Others’ hands, and thus 2 Sticks Active and 2 Passive, the Lord Krishna or the Active Player takes the Role of 2A’ and 4A’, the 0.5 and 1.0 while the Second Player, the Radha or the Passive Player takes up the A’ and the 3A’ with the Swaya Systems of the 0.25 and the 0.75 giving the Radha, the Flow that goes to the Active Player, the Lord Krishna.

This summary is same as the Bob and Alice in the Quantum Teleportation and Quantum Transportation where the Quantum Systems of the Classical Dances are transferred to the Next and or the Other Active and or the Passive Players, and when it’s all in the Quantum Circle, it’s all same as the Quantum Cloud of 0 and 1 as the Active and Passive Dancers in the same as the Quantum Braiding Philosophy. (One can read more about Rasa Leela from the source with our thanks: https://en.wikipedia.org/wiki/Rasa_lila )

Thus, both the Quantum Braiding and the Quantum Dance of Rasa Leela represent the String and the Superstring Theory with Active and Passive Quantum Systems of A’, 2A’, 3A’, 4A’, the Schwa as the 0.25, 0.5, 0.75, 1.0, the Swaya as shown below:

Well, every Indian or World Classical Music, Dance and the Instrumental Systems follows the Quanta Quantum Quantization of Schwa and Swaya. It says well about all of it as:

“I have introduced the possibility that the strings can join and separate. This kind of thing is best understood in the context of category theory. The Lie algebra elements are connected to themselves by a functor which can be shown as a network of strings which join and separate like this,

The commutation relations of fig 8.7 can be shown to be consistent with the Jacobi relations provided the functors satisfy the following associativity relationship,

and also the similar coassociativity relationship upside down.

In this way we can take out Lie algebra A and generate a new Lie algebra L(A). The process can be generalised to a Lie superalgebra. In the case where A is a Heisenberg superalgebra there is a homomorphism from L(A) onto the discrete string algebra which I defined previously. So this process can be regarded as a generalisation.” (With thanks from the source: http://www.karlin.mff.cuni.cz/~motl/Gibbs/knots.ht… )

When we consider the Braiding and the Swaya Systems arising from what is also popular as the Paya or the Charna Systems, we have the A’, 2A’, 3A’, 4A’ as the Hands and Feet where the A’ and 3A’ represent the Hands and the 2A’ and 4A’ represent the Feet in the Indian Sacred Systems as well as in most of the world civilizations that deal with the Sacred and the Classical Systems, while the Modern Quantum Systems well notice that the Hands and the Feet are the Quantum Braiding of the 4 Paya and Swaya Systems of the A’, 2A’, 3A’, 4A’, and it’s also the Secret of the Reiki, Acupressure, Suzok and Most of the “Therapies that deal with Hand and Feet” in which body seem to be put to the “Classical Dance” where the Healer or the Therapist acts as if the Active Dancer and the Patient as if the Passive Dancer, and in the “Interactions, the Treatment”, the Energy Flows of A’, 2A’, 3A’, 4A’ are balanced in the “Quantum Braiding and Dancing of Quantum Energy with A’, 3A’ for the Hands and 2A’ and 4A’ for the Feet”, and it plays the Magic of Quanta Quantum Quantization. We can use it one of the great Indian Term that deals with the God as Space, Vacuum and Universe according to the Vibration Theory of A’, 2A’, 3A’, 4A’ as the A-A Systems with the P, the Passive Form of the same that is the A’, 2A’, 3A’, 4A’ as the PA, and thus the AA-PA, the AAPE, the Cosmic Self Systems of the Universe. The AAPE is can also be considered with its Reverting Property of PE-AA, the PIYA, which means a Very Good Friend, which in other words is to say that a good friend reassembles as AAPE, the Natural Flow Commune with Cosmic Nature, which makes it the RASA Leela, the way life behaves for everyone, as the RASA is also as SARA, the Essence of Everything.

The Philosophy of AAPE (AAPA) and PEYA (PAYA, PIYA, PIAA) is the Essence of Most of the Indian, Arabian and Israeli World Religions and Faiths where Philosophy of Bride and Bridegroom is well projected with the Philosophy of Love of One, and almost every Verse of Vedas and Gurbani, Holy Bible and Other Sacred and Holy Books when describing God imitates it, that is, the Friendship and Love, and Marriage with Friendship the Piya Systems of One Friend and Friendship, and thus Piya and Rasa Leela Philosophy that allows the Sacred Friendship, Love, Romancing of One, the Single-hood in Plurality of Two Person, which thus and then Master of Active and Passive Role of Braiding, String, Theory of Everything, Unification Theory, and thus the Quantum Systems of the Universe as we also discuss with Alice and Bob Quantum Civilizations.

It may be of great interest to many of us that the AA-PE Systems that are claimed as the “Self-operating in the Cosmically Conscious Universe” function with Two Different Parts, which are the Active and Passive. For example, when we consider the Oxygen and Carbon Dioxide and the Photosynthesis and Respiration for the Life and Vital Energy Management, we notice as are the Day and Night, so the Active and Passive Part of the Cosmically Life and Quantum Life in which A as the Active Part is the A-A and the Passive Part as the Media goes as the PA, and together these two are what we can term as the Quanta Quantum Quantization of A’, 2A’, 3A’, 4A’ and its Quantum Reversal as the 4A’, 3A’, 2A’, A’, in which again just to restate, we have the AA as the A’, 2A’, 3A’, 4A’ and the PA as the 4A’, 3A’, 2A’, A’, and these Two Quantum Systems Coexist as the AA-PA, the AAPE Systems, the Self-operating Quantum Systems, and we see it as the Quantum Braiding, String, Dance, Music, Rhythm, Sacred Math and Geometry, and we discuss as the Pi, Phi, Paya, Swaya, Quanta, Schwa, Euler, Fourier, Fibonacci, Spiral, Dipole with A’, 2A’, 3A’, 4A’ as also the Process of Incarnation and the 4A’, 3A’, 2A’, A’ as the Process of Reincarnation, and lot more, and thus all of it as the Sacred, Quantum and the Classical Systems of the Space, Vacuum and Universe in this Series of Be Happy Philselfologically,

When we thus consider the -1 and +1 Systems for the Quantum Qubit Systems, we can notice that we can manage most of the Qubit Superposition with still Higher Octave with easy to understand Imaginary and Complex Theory of Numbers in the Linguistic way, which needs just one more assumption, and that is, when we have the -1 and +1 going to 0, the Limit goes to infinity, and that is to say that A=-1, 2A=+1, and at Limit A -> 0, we have A -> Infinity solves most of the problems that need computer signals interpreted as the Pulses of -1, -Infinity, 0, +infinity, +0, and that is where the Final Assumption makes the Quantum Superposition, the Quantum Clouds of Infinity Limits have some significant meaning in the context to the Classical Versions of the Quantum Versions of the Modern Computing and Mathematical Systems. We can see it say as the Dirac Delta Function:

So, when we consider the A’, A and 2A as the Dirac Delta Function Operators, we can notice that it helps in the Digital Signal Processing. In this context assigning A’/4, A’/2, A’, 2A’, 3A’, 4A’, and the Higher Values in the Indian Alphabets and say also in the International Phonetic Alphabets makes it all, the Alphabets a well representation for the Signal Processing Theories and Tables for easy to understand and interpret and satisfy the Quantum Math and Computing needs of present and future.

So, the every letter in the Alphabets and the International Phonetic Alphabets represent what we can summarize as below:

“When it is the input to a discrete-time signal processing element, the output is called the impulse response of the element.” (With thanks from the source: https://en.wikipedia.org/wiki/Kronecker_delta )

So, when we move left to right or up and down in the Indian and the International Phonetic Alphabets, we can notice the

It follows well, when we assign each letter the Value of A’, A and 2A:

“The area, or integral of fn(t)=1 for every value of n=1,2,3,…. The larger n gets, the narrower the pulse is in time, but the amplitude increases such that the total area is the same for all values of n. The Dirac-Delta function can be thought of as the limit as n gets very large for the fn sequence of functions:

(With thanks from the source: http://www.thefouriertransform.com/math/impulse.ph… )

So, we can say that the International Phonetic Alphabets and the Indian Alphabets in general well represent not only the Euler Mathematical Systems but also the Fourier Mathematical Systems:

“Fourier Transformations: One of the Fundamental Secrets of the Universe: All waveforms, no matter what you scribble or observe in the universe, are actually just the sum of simple sinusoids of different frequencies.

Not only does the Fourier Transform give us a special insight into how the world works, it shows up in real-world applications such as MRI (magnetic resonance imaging), signal processing, electromagnetics, quantum physics, and theoretical mathematics. As such, I can think of no serious scientist or engineer who could justify a career without knowledge of the Fourier Transform. On these pages, I will endeavor to make the study of the Fourier Transform as intuitive and math-less as possible; however, integrals invariably arise, so a refresher on calculus may be advised.” (With thanks from the source: http://www.thefouriertransform.com/ )

The most amazing point that our hypothesis gives according to the Indian 4 Pada Theory of A’, 2A’, 3A’, 4A’ with O, A, E, AE is that the First Letter of the Indian Alphabets say the Gurmukhi, the O as the OORA Carries the Vowel Vibration Weight of A’/4 and that is to say that O’=1/4A’ and further that O=O’-O’=1/4A’-1/4A’=1/2A’, and the A as the AARA is the A=A’-A’, which is the Second Manifold or the Second Fold of the O as the 1/2A’, and the E say the EERI is the 1/2A’-1/4A’=A-A’, and in this context, we can put the S, the 4th Vowel in the 4th Column say as the 4A’=2A, and the H, the HAHA is the 0-Dimension of the 1/4A’, and is the Special Case as this Hypothesis of Philselfology gives and that is H, the HA or the HAHA as the 5th Vowel in the 5 Column is the 0-Dimension of the 1/4A’, 2/4A’, 3A’/4 and 4A’ Systems and we see the Equivalency of H to any other letter say as the 1/4A’, which we can also use as the 1/4A’ Multiplier in the same way as the 30th Letter of the Indian Alphabets say in the Hindi, Gurmukhi and Sanskrit goes say as the 6th Row as the 2A Multiplier with the M, the MA or the MA-H-MA.

In other words, we have the 4 Columns as the Additive Component of say the 1/4A’ in the 1st Row and say as the 2A in the 6th Row, and that the 5th Column of Letters say as the H, YIN-YA, YAN-YA, YAN-YAN, NA-NA and MA-MA in the Gurmukhi gives us the Multipliers of the A’/2, A’, A, A-A’ and 2A, and it makes it also the Super Abacus System of the Indian Sacred Systems. It seems the major reason that the Indian Letters keep the ending letters, the prefixes using it as if the “Multipliers of the Total Letters in the Term” and also that if these Letters of the 5th Column are present in the beginning, the rest of the letters devlop this Multipliers into Manifolds. In this context, the 7 Multipliers are most significant and that are namely H, YIN-YA, YAN-YA, YAN-YAN, NA-NA and MA-MA, and RH-RA as the Multipliers of the nature A’/4, A’/2, A’, A, A-A’, 2A, 4A respectively, and that is why these appear to be the Super Abacus of the Indian Sacred Systems according to the Hypothesis of Philselfology.

We can also notice that the 16 Indian Vowels as what is popular as the Laga Maatra are the 16 Multipliers that are construct the Indian Languages, Linguistics and the Grammars. In it, the O, A, E, EA are of the First 4 Multipliers, which are popular as the 3 Guna’s of O, A and E and the AE is the Multiplier of the Multiplier say as the E and A and thus is called the State in the same way as we call the Quantum Superposition’s in the Quantum Clouds and that too as the Qubit Cloud Superposition Systems, which the Indian 3 Guna, the Multiplier Systems give say as the OA, AE and EO, and that is what we know as the Bloch Sphere Creator having the Quantum Super Positions with the 3 Position Occupant namely the A, E and O, the superposition’s in general.

These Super Multipliers and the Multiplier of the Multiplier are known as the Sato Guna (O), Rajo Guna (A), Tamo Guna (E) and Turiya (AE). These multiplier of multipliers are what we know as the Euler’s Exponential Formulas, Functions, Systems and are the “Bases and Basics of Quantum Topological and Qubit Systems” as the Indian Guna and the Guna of Guna represent the Quantum Superposition Quantum Systems in the Euler’s Exponential Way say as the AE, which we have discussed say as follows:

EA, E=SinA’+CosA’, and its the EA that goes say as the E(A) as in e(A) of the Euler’s Great Wonder Works of Math for the Modern Quantum Systems with our thanks to him from Life Dynamix Research and Development! 

That is how the Indian Ancient Mantras and Terms are interpreted while we also have that is how the Indian Poetic, the Ragas and the Prose has always been written like this, which we happen to read and recite as if prose and poetry. In reality, every Sacred and Classical Indian Composition in Prose and or Poetry represent the Euler and Fourier Systems of the Spins, Vibrations, Pulses, Waves, Quantizations, Light, Consciousness, Theory of Elements, Manifolds, Dimensions, Universe, Superuniverse, and all that we can Quantize and Decode back to its 4 Primal Quantum Operators seem the great contribution from the Sacred and Classical Indian Systems while using the Schwa (A), Pi (Angles) and Swaya (0.25 or 1/4), and thus the Sacred and Classical Indian Languages (Schwa), Geometry (Pi) and Math (Swaya) for all that we can study not only in the universe but what is beyond it as the Superuniverse and the Space, Vacuum and Quanta Quantization and Quantum Systems in general. So, Shri Guru Nanak Dev Ji says in his writings and doctrines that we should not Indian Letters as simply letters, but as the Quanta Quantum Quantization where the Quanta is “A”, Quantum is Space and Quantum Vacuum that is Space Element in Two Dimensions and thus as the “KH” and the Quantization as the “R”, and thus the Term of A-KH-R, the Akahara, the Indian Letter:

“Onam Akharu Tribhavanu Saar…” (Gurbani)

“ONAM is the Indian Philosophy of Sound, Energy, Matter, Light, Consciousness, Elements, Manifolds and Dimensions and it uses Akhara as the Essence of Space, Quantum and Universe as the (Akasha) as the Sacred and Classical Indian Knowledge and Wisdom (SARA)” (Gurbani interpretation according to Indian Theory of Elements, Manifolds and Dimensions)

The Time Reversal, Decoding and Reverting in the Quanta Quantum Quantization (Sacred Indian Akhara Philosophy) uses the 4 Operators in the Pairs of say 1/4 (Swaya), 1/2, 1, 2, 4, 8, 16, which are the Basics as the Indian 16 Vowels uses the Reverting, Decoding and Time Reversal at the given point of quantization as the A’, 2A’, 3A’, 4A’, and it can display the “Letter and Terms Arranged and Rearranged” thus according this language, linguistic and grammatical approach we notice SARA going as RASA which is the Complete Quantization as SARA and Decoding through the Quantizations as the Steps in the Dances, Musics, Singing, Instrumental Systems, and all that we can Classical and Sacred Indian Systems. In this way, the Indian Poetry, Prose and the Mantra in the Formats of the Schwa, Pi and Swaya can be very easily put in world language and if we use the International Phonetic Alphabets, it become One and Single Theory, Model and Hypothesis for Everything Quantum in the Universe with the help of the Indian Quanta Quantum Quantizations, the Akhara Vigyana, the Science, Philosophy and Math of Letters as Sounds of Euler, Fourier and Quantum nature as we can always put it. If we look at the “Observations of Space, Vacuum and Quantum as the Science of Sound of Akhara as the Quanta Quantum Quantization by the Indian Seers and Sages”, we can have its references present in every Indian School of Philosophy, Science, Math, Geometry, Grammar, and Education:

“Mantra Sastra is the foundation of spiritual practices and is central to all schools. It is the study of sound, how each sound is produced, the effect of each sound form, how to elevate one’s consciousness through these sounds to strike a rhythm with the cosmic vibration.

The study of sounds that activate different nadis, their rhythm and the timing/chanting methods that effectively activate those, is Mantra Sastra. Broadly there are three aspects, the study of various aspects of mantra, sadhana/upasana and the philosophy of sadhana/spiritual philosophy.

The actual sound or vibration and its effect are grouped under dhvani. This includes the science of pronunciation and chanting (Siksha), and the energy associated with sounds/beejas.

The basic study of varna or sound-roots is the next part. The combination of varnas to form words, their sequencing and ordering in sentences is called vyakarana or grammar. The study of meanings associated to words is nirukta. It is based on the psychological effect or reaction to various natural phenomena, and the sounds corresponding to those effects. Chandas is the study of meter, arrangement of syllable groups, with different lengths.
Dhvani

Dhvani is the acoustic aspect of Sabda. The actual sound or vibration and its effect are grouped under dhvani. This includes the science of pronunciation and chanting (Siksha), and the energy associated with sounds/beejas.

The basic study of varna or sound-roots is the next part. The combination of varnas to form words, their sequencing and ordering in sentences is called vyakarana or grammar. The study of meanings associated to words is nirukta. It is based on the psychological effect or reaction to various natural phenomena, and the sounds corresponding to those effects. Chandas is the study of meter, arrangement of syllable groups, with different lengths.
Dhvani

Dhvani is the acoustic aspect of Sabda.

Varna mala

Varna, as it means color, is basically the shade of sound that is produced. Varna mala is the set of basic elements of sound, from which all kinds of sounds emanate. There are seven basic varnas, “a”, “e”, “u”, “ae”, “o”, “am”, “aH”.

Bhasha

Language or Bhasha, is the composition of grammar and a set of words. Word-roots are representatives of natural phenomena, their names, and are inseparable from their meanings. Thus each sound is a representative of a natural phenomenon and vocabulary describes the universe. However unlike in the common usage of language, it is not the etymological meaning of the word that is important, but the sound itself is said to represent the phenomenon as well as imply meaning of that word. ” (With thanks from the source: http://www.hindupedia.com/en/Mantra_Sastra )

If we pick any Swara in the Sargama, the Indian Music, the Gamut, it Reverts, Decodes and Decomposes and Reverts the Quanta Quantum Quantization (Akhara) Setup of Space, Vacuum and Universe into what we know as the RAGA. If we however want to do the opposite, we have the GURU Method to compose the Sacred Poetry and Music in the Indian Raga based Classical Compositions.

In this context, one of the most popular Time Reversal, Decoding and Reverting in the Quanta Quantum Quantization (Sacred Indian Akhara Science, Math, Philosophy, Geometry, Art and Indian Sacred and Classical Systems in general) use the Swaya of 1/4=0.25 as in the Ascending (Roh) and Descending (Avroh) Order in the Music:

SA RE GA MA PA DHA NI SA

SA NI DHA PA MA GA RE SA

A’ 2A’ 3A’ 4A’ 5A’ 6A’ 7A’ 8A’

8A’ 7A’ 6A’ 5A’ 4A’ 3A’ 2A’ A’

So, with Quanta of A’ Systems into the Quantum Systems of A’-A’ and the Quantization A’, 2A’, 3A’, 4A’, with the Swaya, the 0.25 playing its Mathematical Role in the Quantum Systems seem to be the Blend of Quantum Sciences, Technology, Math and Geometry playing a big role through the Quantum Systems as the Vowel, the Maatra, the Quantum Sound Systems, which Shri Guru Nanak Dev Ji has summarized as the S, the Space and ACH, the Vowels, the Quantization Operators as the Eternal Essence of the Space, Vacuum and Universe as the Sachu, the Philosophy of Quantization of Space in his great contribution of Quantum Genesis of Universe named as Japji Sahib.

On this hypothesis, when we look at the Indian Letters, Words and Terms, we can put everything as the A’, A, 2A, Systems of Quantization. For example, we have the Akara as the A-A’-A’-N (A’-A’), which simply means that the A has been put to A’-A’, the Space Element and is going to be quantized as with the R, the N Times of the Terms, which is from the hypothetical fact that the 7th Row of the Indian Alphabets is the Quantization of everything in the Quantum Systems, and here we have to mention that any systems is the “Quantum System” if it follows the Time Reversal, Decoding and Reverting in the Quanta Quantum Quantization (Sacred Indian Akhara Philosophy); which is popular as the Self-assembling and Reassembling of the 2nd and the 4th Dimension of Braiding and String Theory that we have expressed as String Theory, Rasa as Dances, Music and Instruments of the Quantum Time Reversal, Decoding and Reverting in the Quanta Quantum Quantization (Sacred Indian Akhara Philosophy).

When we notice that the Indian Gamut, the Sargama and the 7 Sounds can summarize all that is the Sacred and Classical Systems of the Indian Civilizations, we notice that the 35 Letters of the Gurmukhi, which are almost same as in the Hindi and Sanskrit Alphabets as well in the International Phonetic Alphabets Prose and Poetic Summary of All of the Indian Sacred and Classical Systems that we can also call the Time Reversal, Decoding and Reverting in the Quanta Quantum Quantization Systems of the Indian Civilizations and thus the Sacred Indian Akhara Philosophy through the most popular Philosophy of Akhara, the Sound in its Higher Octave as the Theory and Philosophy of Tat, the Tattva Darshana, which is the Pure Philosophy of Quantum Systems where the Quantum Systems are studied as the 7 Basic Quantum Elements with the Light, Space, Air, Water, Fire, Solid, Consciousness with the 8th as the 0-Dimensional System of the SAHA as the “I, the Observer”, which should not confuse us as the consciousness. The Consciousness is the Jeeva, but the 0-Dimension “I” is none as the Light, Space, Air, Water, Fire, Solid, Consciousness, and what may confuse even as the Atama, but it can be termed as what observers even the Atama, the Atom as the Self-assembling Quality of Matter, which very popular as the Atama Philosophy which at the Universe Levels goes as the Para-atom, the Self-assembling Systems at the Macro Levels as the Supermolecular Systems of the Quanta Quantum Quantization.

The reasons for calling the 4th Dimension as the Brahma and the 8th as the Parbrahma comes from the points of assumptions in the Indian Theory of Elements, Manifolds, Dimensions, etc. in which the PA, PHA, BA, BHA and MA are the Dimensions of the Solid Elements, and the BA is the 4th Dimension Manifold with the RA, and thus it gives the B-R-AMA as the Quantization of Matter as the 4th Dimension and in the Parabrahma, we have the Para-Brahama with the PARA, the P-R with the 4 Dimensions that have to add to the 4 Dimensions of the B-R and thus as the 8th Dimension of the Parabrahma, and thus also the Philosophy of Physical Death into 4th Dimension and Birth into Next 4-Dimensional of Para Molecular or the Super Molecular Life of the Bigger Earth or the Star Systems, and we may be at times confused with the 0-Dimensions, which are simply the MA-Dimensions of “I, the Dimensionless Self-identity”. These are expressed as the A’, 2A’, 3A’, 4A’ and the AA’, 2AA’, 3AA’, 4AA’ or better as the 5A’, 6A’, 7A’, 8A’ with A’-A’, 2A’-2A’, 3A’-3A’, 4A’-4A’, the Phases and the Super Phases, where we can consider the Quantum Phases of the A’/4-A’/4, A’/2-A’/2, A’-A’, 2A’-2A’, 4A’-4A’ as the Phases of the Super Quantum Phases, which deals with what we can consider Beyond 4th Dimension, After Collapsing into the 4th Dimension, After Emerging into the White Hole, and so on.

For the conventional reasons, we can put the 8th Dimension as the Parabrahma, the Universal Consciousness of the Self-assembling and reassembling Quantum Systems as these assemble the 4 Quantum Operators of A’, 2A’, 3A’, 4A’, and decode as the 4A’, 3A’, 2A’, A, and all of it well goes into what we have been discussing as the Quantum Time Reversal, Decoding and Reverting in the Quanta Quantum Quantization (Sacred Indian Akhara Philosophy) further leading to Mass, Spin, Momentum and Matter Systems with A’, 2A’, 3A’, 4A’ that perfectly follows the E=M*C*C Coding and Decoding that we can restate as Quantum Time Reversal, Decoding and Reverting in the Quanta Quantum Quantization (Sacred Indian Akhara Philosophy) of the E=M*C*C that can still be put to greater ease as EA=O*E*A=A’*(3A’)*2A’=4A’ for the E=M*C*C equating the equivalency as E=M*C*V, the simplicity of Indian Quanta Quantum Quantization.

When we consider the A’, 2A’, 3A’, 4A’ and the A’-A’, 2(A’-A’), 3(A’-A’), 4(A’-A’), we think of and about the 4-D Printing in the Setup of the A’, 2A’, 3A’, 4A’ way, while the 5-D, 6-D, 7-D and the 8-D Printing most likely goes to what we can use in the Creation of Buildings and the Space Crafts, and in the 5-D to 8-D, we have the A’-A’, 2(A’-A’), 3(A’-A’), 4(A’-A’), which can be the editable Self-assembling Modes of the 1-D to 4-D Systems, and in other words, the 5-D to the 8-D Systems mostly seem to go into what we can think of not as self-assembling Caused Self-assembling that we can take from the Angle of the Most Popular Theories of the Cause and Effect, where we notice that Cause plays major role in the Self-assembling that we notice in the “Entire of the Universe”, and it thus seems the Classical Theory of the 3-D or the 4-D Printing, while the Effect Printing of the 5-D to 8-D is Changes that a human or robots can manage without ever disturbing the “Cause Printing of the 4-Dimensions as if the Security Systems of the Universe, which none cannot violate”, and if we violate the 1-D to 4-D Systems, these “Collapse” into the 1-D to 4-D’s (A’, 2A’, 3A’, 4A’) even the 5-D to the 8-D Systems can collapse back into the 1-D to 4-D’s (A’, 2A’, 3A’, 4A’), the Cause 4-D Printing, the Self-assembling Dimensions of the Quantum Universe of the A’, 2A’, 3A’, 4A’, and it seems Magic of Quanta, Schwa, Pi and Swaya!

If we ever correlate the 4-D Printing and the 5D to 8-D Printing, we notice that we have the A’, 2A’, 3A’, 4A’ with its 0-Dimensional Systems in the First Row of the Indian Alphabets while when we consider the O, A, E, S and H in the First Row of the Gurmukhi and or any Indian Alphabet in general, we can very easily notice that we have the Quantum Phases of O-A, A-E, E-S, S-H and H-O, which we can also put as the A’, A’-2A’, 2A’-3A’, 3A’-4A’, 4A’-5A’, 5A’-A’, and these are almost as the Berry’s Quantum Phases, and we can put it as the 5 Consonant Rows in the Indian Alphabets. It simply mean that O-A, A-E, E-S, S-H and H-O are the 5 Rows of the Constants starting with K, CH, T, T’, PA, which can also be put as the A’, A’-2A’, 2A’-3A’, 3A’-4A’, 4A’-5A’ according to the Hypothesis of Philselfology based on the Indian Theory of Elements, Manifolds, Dimensions, Consciousness, Light, Universe, and the Sacred and the Classical Systems in general. When we call the Swaya, the Fifth Column is the Swaya, the Quantum Super Abacus Row, which deals with the 1.5 Multipliers when we consider the A’, 2A’, 3A’, 4A’ as the 0.25, 0.5, 0.75, 1.0 as the Paya, the Quantization as we discuss it with the Indian Akhara Philosophy of 4 Paya also called the 4 Pada in the Indian Vedic Astrology and General Mathematical and Calculation Systems, and it’s all most ancient and what the Indian Sacred Systems claim as the Eternal, Sacred and Classical Quantum Systems of the Universe, and it may be the Hypothesis of Philselfology that may seem to put it in new or modern versions due to modern progress, development and the evolution in this regard and direction that needs this hypothesis to unify ancient and modern wisdom of east and west.

When we assume that the Second Row of the Indian Consonants and the 4th Row are as if the Air and Fire, we deal it as the in the Space Element of the First Row where we have Quantum Braiding of the Quanta, Quantum Quantization of the A’, 2A’, 3A’ and 4A’ in which the A’ and 3A’ are the Weaker Parts and the 2A’ and the 4A’ are the Stronger Elements of the Quantization. It makes the A’ and 3A’ Air and Fire (Similarity of the Weaker) and the 2A’ and the 4A’ as the Water and Solid and thus the 2nd and 4th Row with Air and Fire, and the 3rd and the 5th as the Water and Solid Row.

In this context, when we discuss the Multipliers, the Rows of Consonants seem to behave as if the “Duplicators”, which has a great significance in the Quantum Systems as it cannot create anything new, which is also use useful without the Multipliers and the Duplicators. The “Duplication and Duplicators” also act as the “Replicators”, and while researching on it, and write it live in the Series of Be Happy Philselfologically, I happen to discover that the Baking Soda, the Sodium Bicarbonate, which is Natrum Bicarbonate in the Tissue and Cell Salts can cure cancer and other similar diseases caused by fungus, which is discussed in the following part of the series:


The Relevant Parts of the Series: How Baking Soda as Naturm Bicarbonate Cures Cancer as Gurmukhi Language Explains Gaytri Mantra with Research Steps of EAK, OANKARA, SATINAMA, SHREE, WAHEGURU, SAHIB, JIO Systems, Essence of Life Cycle and World Sciences: Be Happy Philselfologically 96


The Relevant Parts of the Series: Spiral and Chiral Systems Need Circular and Elliptical Pulsar Movement as in DNA Systems: Cancer Cure by Baking Soda as Naturm Bicarbonate, Basics of Life Systems, Gurmukhi Punjabi Language and Grammar Systems – Be Happy Philselfologically – 97


Meanwhile, we can learn more about the Natrum Bicarbonate to treat the Acidity and Caner:

“Should I ever be diagnosed with cancer, sodium bicarbonate is the absolute first thing that I will reach for in order to create an unfriendly environment for cancer tumors. Although it never seems to be addressed, bicarbonate is also produced in the kidneys, and any sign of kidney dysfunction should include sodium bicarbonate and potassium as a first line of treatment. Many people looking detoxify their bodies look to the antioxidants in silica, but sodium bicarbonate is one of the most powerful detoxifying tissue salts.” (Please read more from the source with our thanks: https://www.facebook.com/notes/witch-dr-health/com… )


However, it’s all Arbitrary based on this Research and Hypothesis of Philselfology and may differ from the Traditional and Conventional Assignment, Attribution and Presentation of the Previous, Past and the Ancient Researches with some differences also due to Sanskrit and Gurmukhi Language differences in which Gurmukhi explains the Quantum Sound and the Sanskrit focuses and this gives priority to the Light and Quantum Systems at times, which we can notice in the Grammatical, Linguistic and the Language based constructions, compositions and as the creative commons, which we can modify in the versions of Sanskrit, Hindi, Gurmukhi and Other Indian and the World Languages while also considering the International Phonetic Alphabets and the Phonic, Phonemic and Phonetic Studies, Education, Research, Welfare and Awareness works and campaigns all over the world as need almost no controversy that may lead to any possible conflict whatsoever.

Here we also need to consider the Quantization of the Quanta’s as the Quantum Quantization of the First 4 Dimensions, which we know as the 4-D Printing, and the Quantization of Phases in the Space Element, which too are 4 Phase Quantizations that constitute the 5th, 6th, 7th, and the 8th Super Quantizations of the Quanta Quantum Quantization Systems, and we can put it as the 5 Rows of the Indian Alphabets, and alternatively it’s also so if we do not consider the alphabets at all. The reason to say so is that the Alpahebts of All Languages as well as the International Phonetic Alphabets are great tool to understand the Processes of the Quanta Quantum Quantization of Vowels, which are similar to the Quanta’s and the Super Quanta Quantum Quantizations of Vowel Phases, which come out to be similar to Consonants and the Quantum Phases in the Space Element Systems in the Indian Alphabets, and in general as well.

Here, one may ask what is beyond the Quanta Quantum Quantization and the Super Quantum Quantization, and the very simple answer to it can be that we have to change the “Universe as the Frame of Reference”, and by itself, the given universe seems to be the Single Super Quanta Quantum Quantization, and what we discussed as the “Supreme Consciousness” needs that one changes the Universal Frames of References, which in the group of 6 Universes and the 7th as the Superuniverse create the Great Super-Super Quantum Cloud, which we can term as the Para of Para, and that is what the Gurbani, the Quantum Doctrine of Sikhism describes as the Satinama, the Para Poorbala, the Para of Para, the 9th-16th Dimensional Setup of the Universe, which is popular as the Para-para with the name Bharpoora Systems of the Systems that is “Sarb-viapi, the Omnipresent”, the Supreme Quantum Systems”. We can correlate it with the 7th Row of the Indian Alphabets of Sanskrit, Hindi, Gurmukhi and Other Indian Languages. The 7th Row is the Special Super Quantum Row Vowels, which by itself create the Quantum of Quantum System Environment in the Indian Sacred Systems when we read say “OM Ramaya Namaha”, and YA is present and that is the YA, RA, LA, VA, RHRA, the 7th Row. Shri Guru Nanak Dev Ji has given it the name of Para Poorbala with SATINAMA as the base of the SAHA Theory of the Cosmic Breathing of the Superuniverse.

We can notice as according to our research work and the hypothesis of Philselfology that we can assign the Quanta, Quantum and Quantization Process and Philosophy to not only Indian Alpahebts, International Phonetic Alphabets, Abacus, Numbers say from 1 to 35, 45, 50 or 55, but also to any multiplication, division and addition tables as well as to the Sacred Math, Geometry and Music as we do not need to be cynical and egocentric that only one language, numerology, math or geometry represents the Sacred, Classical and the Quantum, Quantum Quantization Systems of the Space, Vacuum and the Universe. In it, the priority is that human; the man and the woman are as if the most blessed to know, understand and research all of it and more that always remains yet to come and unsaid.

Here, we need to mention that the Indian Sacred Systems embrace the Philosophy of Light, Consciousness (Self-assembling and reassembling of the 4-D, 8-D and the Higher Dimensions) and the Bio-systems as the most advanced and developed model of the universe, which it discuss as the S (Light), H (Consciousness) and J (Bio-systems), and thus the S-H-J, the SAHAJA Systems of the Universe, Space and Vacuum Systems, which has been the Indian Sacred, Classical and the Verbal Transferring of the Quantum Wisdom of the Humanity that is popular as the Brahm Vidya, the Quantum Sacred Education as the name of India as Bharat was also has been popular as the Brahm(a) Desh, the Nation of Quanta Quantum Quantization.

The Brahm(a) Vidya is from the Quantum Compositions in the Space as the M, HAM, Brahma, and the Parbrahma Quantum Systems of the Space, the AAKASHA, which is one of the major contribution from the Brahma Desh, later named as Bharat (India) in the world. The “M” is the Quantum Light, which is one, and when it goes plural from its M Singularity, it goes as “H-M” (HAM), and its visible expansion, it goes as Bra-hama, and at the highest level as the Para-bra-hama, and what we say as the “M” is the Essence of Everything that too is in the SAHA, the Supreme Consciousness or the Superuniverse Systems. The SAHA goes to be SATA-NAMA, which again is the Sacredness of M as with adjectives of the S, T, N and to M as the Satina-m(a), which we have also discussed for understanding the space, quantum and universe as the “Quanta Quantum Quantization, the A-kh-ra, the Akhara Systems of Space Quantizations in which the Quanta Quantum Quantization goes for the M as the M-H, M-H-A, M-H-AA, and the M-H-AA-N, which is also studied and researched as the MAHA, the MAHAN Systems of the Universe as well researched by the Sikh Gurus and Bhagats and are popular as the M-Systems that produces the “M”, the Durga while Brahma, Vishnu, and Mahesha, etc. call it the “MA…N”, and for quantum purposes we can put it as the M-N, the Theory of MANA, the Creative Intelligence of the Space, Vacuum and Universe Systems.

One may wonder what is the “Phi” in its relation to the Quanta, Schwa, Pi and Swaya, we have the very interesting result for it:

5^A*A+A=Φ=Phi, where A=0.5 from the 4 Quantum Operators of A’ with A’=0.25

or 10A*A+A=Φ=Phi

5 ^ .5 * .5 + .5 = Φ

You can use phi to compute the nth number in the Fibonacci series (fn):

fn = Φ n / 5½

This method actually provides an estimate which always rounds to the correct Fibonacci number.

You can compute any number of the Fibonacci series (fn) exactly with a little more work:

fn = < Φ n – (-Φ)-n > / (2Φ-1)

Note: 2Φ-1 = 5½= The square root of 5

(With thanks from the source: http://www.goldennumber.net/math/ )

Moreover, the 5^A*A-A=-Φ=-Phi=

“There are many unusual relationships in the Fibonacci series. For example, for any three numbers in the series Φ(n-1), Φ(n) and Φ(n+1), the following relationship exists:

Φ(n-1) * Φ(n+1) = Φ(n)2 – (-1)n

( e.g., 3*8 = 52-1 or 5*13=82+1 )

Here’s another:

Every nth Fibonacci number is a multiple of Phi(n),
where Phi(n) is the nth number of the Fibonacci sequence.

Given 0, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144, 233, 377, 610, 987, 1597, 2584, 4181, 6765

(Every 4th number, e.g., 3, 21, 144 and 987, are all multiples of Phi(4), which is 3)

(Every 5th number, e.g., 5, 55, 610, and 6765, are all multiples of Phi(5), which is 5)

And another:

The first perfect square in the Fibonacci series, 144,

is number 12 in the series and its square root is 12!

0, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144

or, if not starting with 0:

1, 1, 2, 3, 5, 8, 13, 21, 34, 55, 89, 144″ (With thanks from the source: http://www.goldennumber.net/math/ )

For Pi, we have it all as: 40A+4A/10A+4A

If we use the Phi from 5^A*A+A=Φ=Phi with the following Deviation, we get wonderful spirals:







The condition exists that we consider the A’=.25=Swaya in the Sequence and Series of A’, 2A’, 3A’, 4A’,…, NA’, where N is a Natural Number. If we consider the same A’ of the Swaya Systems on the Complex and the Imaginary Number Line, its as the A’^2=-1, which we discuss as another wonder of the Swaya A=0.25 linguistically.


No wonder, we have it Verbal Quantum Management with the Guna’s, the Multipliers as the Topological, Quantum, Exponential, Euler, Logarithmic and Linguistic Systems of A’ as with A’^2=-1=A, and for greater simplifications, we can simply claim that the A’^2=-A=-1 when A=-1, we have A=(-1)*(-1)=1, and A’^4=1=2A is playing great role as the Super Linguistics Abacus of the Indian Sacred Systems and the Civilizations that goes far more integrated approach for the Fabrication of the Universe as with at least Topological, Quantum, Exponential, Euler, Logarithmic and Linguistic Systems included.

Here, we need to add that this Formulation of the Guna, the Multiplier that too as the Exponential Quantum Multiplier Systems are same in all world languages and that it’s the “Quantum Basics of the International Phonetic Alphabets”. So, we can use it all say in all world languages through the International Alphabetical Approach for the Topological Quantum Systems or otherwise.

This is how the 35 Letters of the Indian Alphabets are arranged, managed, composed and written say as the Topological Quantum Composition of the Universe, the Way Indian Seers and Sages has observed the Space, Vacuum and the Universe, which keeps the Special Quantum Equivalency of Quantum Spacetime as the SAHA, the 0-4 Dimensional Setup of the Superuniverse in the Space, which Shri Guru Nanak Dev Ji describes in the Quantum Genesis of the Universe Composition of Japu Ji Sahib.

As we are like kids in the Quantum Computing, the Indian Sacred Alphabets can guide us a lot in achieving most of the Quantum Qubit Problems as we seem to force the Classical and Quantum Information, Knowledge and Wisdom to what the Indian Sacred Systems claim to be the Quantum of Quantum at the Dimensions Higher than 4, and that is the 2A-2A, and it’s same as talking about the Orbitals and the Orbits as machines like orbits when we go to the Moon and Mars. If we consider Quantum Clouding as escaping from its failures with excessive theories, signs and symbols that almost none can understand without the “Quantum Brain that one knows the Parbrahma, the Invisible God”.

If we closely look at the Indian Alphabets say the Gurmukhi, we notice that the Orbital Theory of the Universe is described as the OM, the OAM Part in the ONKARA Theory and it embraces the 30 Letters of the Indian Alphabets, which are from First Letter say in Gurmukhi, the O (OORA) and the 30th Letter say as the M (MAMA), and it describes the O-M Systems of the Universe, while the O carries everything to M using the A say as OAM or AOM (say as the AUM). When we start to describe the what is beyond the 4 Dimensions, we notice the use of the 31st Letter in the 7th Row, and it’s the YA and it bridges with the 30th Letter of the M, the MA, the MAMA (MA-H-MA), and thus we get what we know say as the MA-YA, and that gives the Philosophy of OM and MAYA its simplicity as the Universal Ground of Orbitals (OM) and the Orbits (MAYA). One may wonder that all Indian Mantras are written, composed and arranged in this order, for example, we have:

OM RAMAYA NAMAHA

In it, we have the 30 Letter Philosophy in the OM Part and the RAMA is any name taken for consideration as if the Quantum Qubit Cloud, and the “Presence of YA” describes the 31st Letter that adds to the 30 Letters of OM, and we have the RAMA-YA as the Orbits of the RAMA, and here we may also notice that the Namaha is also present, it simply explains where the Sound Energy of N and M is going to go, and everything in the OM RAMAYA achieves the Solid Dimensions of Matter with YA and thus we can say that OM, the Orbitals need the “RAMA” as subject that now has the Orbits of YA going from Alice to Bob, and here the ideal Alice is the NAMAHA, who receives it as the Solid Message in the 30+1 Letter Fundamentals, and it ends at the 35th Letter say as the Rharha, which is the Final Quantum Cloud in the 5th Column of the Indian Alphabets that we know say as the SAHA Systems of the Quantum Cloud, and to describe it well Shri Guru Nanak Dev Ji has introduced the Philosophy of OO-RA, which is the 1st letter blending with the 35 letter, the Rharha, and thus making the OO-RHARA, which we simply write say as the OORA, which is the Beyond 4-D, the A-A, the AA, the 2A Systems and thus it is simply OM to OORA as the O-RHA, and it is also the one of most essential chapter of the Indian Alphabets.

The OM and OORA represent the EAK, the ONE Philosophy of the Indian Sacred Systems and the Civilizations, and we notice it said like this:

“Sevak Ki Ourak Nibahi Preet…” (Gurbani)

“One God lovers end up going through the O-RHA Systems in say called the OURAK” (Gurbani translations)

Here, we also notice hypothetically that the OM, the 4 Dimensional Setup of the (3,1) Dimensions goes to the YA, RA, LA, VA, RHA, the Final Quantum Row of the Indian Vowels through what we know say as the KARA and thus we have the KARA to get with OM-KARA to reach from the O to RA, and it’s so in the Sanskrit Systems, but in the Gurmukhi, the Punjabi Language Systems, we have it simply say as the O-RA, and it hides the KA, the Space Element say in the OM-KARA, the Guru Ji has put the EAK to justify the Marvels of the Indian Sacred Systems.

The OM Part deals with the 4-Dimensional World while the Kara deals with the Space and the Quantized Orbits in any systems where the Space Element plays its role.

Now, when we want to solve the Quantum Problems of 0-Dimension with the Topological Quantized Quantum Systems of Beyond 4th Dimensions, we notice it say as the KARA. The Indian Sacred Systems right from the Vedas give it say also as the EAKONKARA Systems. It, the Indian Sacred Systems thus and then fully interpret the EAK-ONKARA as the Quantum Spintronics of E in the Space with the Kara as the Topologically Quantized Quantum Systems say as the KARA, and the EAK-onkara Philosophy with the OORA gives the “Simplified Version of Indian Topological Quantum Systems and the Homotopy Type Indian Math that describes it all through the Indian Alphabets”.

That is why it seems the Gurbani starts with EAK-Onkara Systems as it discusses One System of the OO-RHAHA of the 35 Indian Quantum Sound composed say as the Gurmukhi Alphabet with the 35 Letters in the Manner of the International Phonetic Alphabetical way as based on our Hypothesis and Research of Philselfology.

Now, if we want to introduce that the “Photon Death” should not occur, we notice that it needs the SAHA, the 4th Dimension aligned with the 0-Dimension of the Universe, which is same as the “Tapping the Universe for Good Cause and the Greater Good”, and all of it is worshiped in India as the Philosophy of Sapata-matrika, the 7 Rows of Quantization (Matrika) the Indian Alphabets as the 7 Primal Goddesses of the Universe, the Philosophy of Holy Spirit, Shakti and Primal Goddesses, who create the universe and the Brahma, Vishnu and Mahesha (Shiva) Systems, which Shri Guru Nanak Dev Ji has introduced say as the 35 Akhari, the 35 Letters of Gurmukhi in the 7 Rows, which is also essence of the International Phonetic Alphabets.

Now, when we use the Indian Mantra Structure say the OM RAMAYA NAMAHA, we can very easily notice that it’s based on what we know say as the Phase Space Formulation, where we have A’, A, A-A’ and the 2A in the Indian Sacred Systems as the Parameters of the Space, Time and Velocity as the 2A when we differentiate as according to time, we get the A as the Result, and it naturally makes the A as the Velocity Component, and the most amazing thing can be that we at the same time can treat the A’ as the Mass of the Given Point Particle, and thus the A’-A gives us the Momentum of the Point Particle due to the reason that A’ as a mass has time derivation of the 4th Dimension of 2A into say A, and one may find it most amazing as say that the A-A’ is expressed as the E, the Third Vowel in the Indian Vowels in the First Row of the Indian Alphabets. So, the E can be treated as the “Momentum of the Given Point Particle or the System”. So, we can notice that A’, A, A-A’ and 2A which give us the O, A, E, OA describe also the Mass (O), Velocity (A), Momentum (E) and the 4th Dimension of Matter as the Supermolecular Systems and thus as the 2A, and we have it all say as the Phase Space Formulation as according to the Indian sacred Systems:

“The phase space formulation of quantum mechanics places the position and momentum variables on equal footing, in phase space. In contrast, the Schrödinger picture uses the position or momentum representations (see also position and momentum space). The two key features of the phase space formulation are that the quantum state is described by a quasiprobability distribution (instead of a wave function, state vector, or density matrix) and operator multiplication is replaced by a star product.” (With thanks from the source: https://en.wikipedia.org/wiki/Phase_space_formulat… and https://en.wikipedia.org/wiki/Wigner%E2%80%93Weyl_… and https://en.wikipedia.org/wiki/Geometric_quantizati… )

So, it appears from our hypothesis that we represent as the Bliss of the 4th Dimension needs to be put say as the Bliss of the 0-Dimension, the Original I, the Self-identity and what we represent say as the 4th Dimension can be put say as the Se-assembling Dimension of the Supermolecular Dimension. May be meditating as light and thinking about the 4 Dimensions seems a foolishness! 

In other words, the First 3-Dimensions are the Brahma (Visible God) Dimensions and the 4th Dimension is of the Parbrahma (the Supermolecular God), and the 0th Dimension is the Supreme Consciousness that all the Brahma God, Parbrahma God and the Nothing as the I-Awareness, the Awakened Levels of Human Consciousness seem to have, which seems almost very close to what we know as the Nirvana, and thus the 0-Dimension with almost no consideration of the Manifold and the Dimensional Systems may it be 3 Dimensions or the 4th Dimension. We can thus add the Philosophy of Metamaterials to the 4th Dimensions and the Consciousness as the 0th Dimension.

“A dimension is a direction. Living in more dimensions means having more directions you can move in. There are many weird physical consequences to living in more dimensions, but the one you’d notice first (if you were somehow to suddenly to appear in a 4-D universe) is immediate death.

If a paper doll (two-dimensional being) were suddenly brought into three dimensional space all of its innards would become outtards. Similarly, there is nothing whatsoever supporting your body in a fourth direction, so if you were to find yourself with a few extra dimensions your insides would follow the path of least (zero) resistance and fall out. It would be super gross, but would make no more of a mess than an infinitely thin oil slick. Any local 4-D critters probably wouldn’t even notice.” (With thanks from the source: http://www.askamathematician.com/2014/11/q-can-a-h… )

That is why it seems many people, who think of 4th Dimension instead of the 0th Dimension may face health problems as in meditation, we think of “Nothing and Zero” and if we on the other hand think of Sacred 3Dimenions or the 4th Dimension, it’s simply “Sacred Visualization” that should be done separately from the “Meditation of Nothingness and 0, the Nirvana Philosophy”.

4D PRINTING AND SHAPE-SHIFTING TECHNOLOGY – THE FOURTH DIMENSION

Copyright Naomi Astral © 13 June 2014

“3D printing is fast becoming old news and technologies are already being developed with 4D printing – It is Skynet technology; the self-aware computer at the centre of the famous Terminator movies. We’re talking about furniture, machines, bridges and houses which can ‘assemble themselves’, shape-shift and camouflage – way beyond the ‘Replicator’ technologies of Star Trek.” (With thanks from the source: https://sites.google.com/site/naomiastral/freaky-s… )

We will edit and add.

The Previous Part of the Series: How Shri Guru Nanak Dev Ji’s Philosophy of Satinama Explains Theory of Equivalency as Anti-pair of Theory of Relativity in Space (Akasha), 0 and 1-D and Super Topological Quantum Energy Equation: Gurmukhi and Be Happy Philselfologically 172

The Next Part of the Series: How Quantum Math of Philselfology Explains Incurable Diseases like HIV, AIDS and Cancer with Mathematical Quantization of Ayurveda: Making of Quantum Ayurveda and Quantization Math of Multiple Therapies: Gurmukhi and Be Happy Philselfologically 174

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